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Since the mid-1950s, drama has emerged as a major genre for African-Americans writers. The flood of creative outpourings in the 1960s that led to the black arts movement brought in its wake a new generation of dramatists who provided some of the most influential voices in American literature. The early 1960s introduced new dramatic forms to larger audiences. Ossie Davis' Purlie Victorious and Adrienne Kennedy's Funnyhouse of a Negro are examples of productions that carried messages of a reality rarely seen outside African-American communities. Just as African-American dramatists were interested in creating a theater in their own image, prose writers were interested in literary creations relevant to African-Americans. During this time, autobiography and biography became increasingly important as modes for expressing this history. 35 entries include: Maya Angelou, Amiri Baraka, Alice Childress, Ossie Davis, Alex Haley, Lorraine Hansberry, Adrienne Kennedy, Ron Milner, Larry Neal and Samm-Art Williams.
- Sales Rank: #6587936 in Books
- Brand: Brand: Gale
- Published on: 1985-04-26
- Released on: 1985-04-26
- Original language: English
- Number of items: 1
- Dimensions: 11.30" h x .99" w x 8.40" l, 2.42 pounds
- Binding: Hardcover
- 376 pages
- Used Book in Good Condition
About the Author
Trudier Harris (Ph.D. University of North Carolina at Chapel Hill) is J. Carlyle Sitterson Professor of English at the University of North Carolina, Chapel Hill. She is the author of five books, most recently The Power of the Porch: The Storyteller s Craft in Zora Neale Hurston, Gloria Naylor, and Randall Kenan, and a co-editor of The Oxford Companion to Women s Writing in the United States and The Oxford Companion to African American Literature.
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