Minggu, 31 Januari 2016

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Asian States' Relations with the Middle East and North Africa, by Sanford R. Silverburg, Bernard Reich

The region known as the Middle East and North Africa has been a major focal point of international concern for centuries and that attention has increased and intensified since World War II. The states of Asia have been interested in the Middle East because of its vast oil reserves, on which many are dependent, and because of the revenues produced, creating large and important markets for the goods, services, and labor found in the Asian states. There is also a significant Muslim population in Asia.

This volume provides the first comprehensive listing of the published (and some unpublished) theses and dissertations on the relationship between Asian states (from Pakistan in the West to Japan in the East) and the Middle East and North Africa. In this volume, the authors have assembled and classified the literature available in English and other western languages for the reader and researcher interested in learning more about the extent and variety of the relationship between these two regions. In this regard, bilateral and multilateral relationships in numerous spheres of activity have been examined.

  • Sales Rank: #14681197 in Books
  • Brand: Brand: Scarecrow Press
  • Published on: 1994-06-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.80" h x .60" w x 5.70" l, .75 pounds
  • Binding: Hardcover
  • 173 pages
Features
  • Used Book in Good Condition

From Library Journal
One of the most critical areas for research today is the Middle East and North Africa, and with new technology giving us access to a plethora of information, it is a blessing to have people who will search the material for us and make it available in a convenient form. Included in the above bibliographies are not only books, but also microforms, essays, journal articles, unpublished theses and dissertations, government documents, etc. The first is a new edition of U.S. Foreign Policy and the Middle East/North Africa: A Bibliography of Twentieth Century Research (LJ 4/15/90). It continues to survey and compile the information of the previous volume and consists of 4,638 entries. Since the arrangement is by subject and the index is only by author/editor, there is no cross access to title entries or government documents, but this is only a small hindrance in this comprehensive and unique item. Formerly of marginal concern, there has recently been an upsurge of interest in Asian participation in the region. The Asian bibliography is an eclectic compilation of 1,156 entries arranged the same way. Although the works could be endless, there is enough information here for most scholars to pursue their research. Only European-language materials are included. A great asset for academic libraries.?Louise Leonard, Univ. of Florida Libs., Gainesville
Copyright 1995 Reed Business Information, Inc.

Review
Libraries supporting either Middle Eastern and North African or Asian studies courses will need to add it to their collections. (Reference Reviews)

A great asset for academic libraries. (Library Journal)

About the Author
Bernard Reich, Professor of Political Science and International Affairs at George Washington University in Washington, D.C., serves as a consultant to various U.S. government agencies and to international business. Author of numerous articles and monographs on politics and foreign policy of the Middle East and North Africa, including the Historical Dictionary of Israel (Scarecrow, 1992).

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Jumat, 29 Januari 2016

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The plays collected in this volume give artistic expression to the devastation wrought by Hurricane Katrina. In so doing, they also illuminate many social, political, and environmental issues central to American life. Besides telling the kinds of stories that the news media could not, these plays explore the deeply rooted problems plaguing New Orleans. The factual basis of these plays serves a documentary purpose, but, as drama, they also depict the flood's consequences for individuals - unimaginable loss, powerlessness, displacement. The plays collected here - Rising Water by John Biguenet; The Breach by Catherine Filloux, Tarell Alvin McCraney, and Joe Sutton; Because They Have No Words by Tim Maddock and Lotti Louise Pharrissis; Trash Bag Tourist by Samuel Brett Williams; and Katrina: The K Word by Lisa Brenner and Suzanne Trauth - show how theatre can both enhance our understanding of disastrous events and facilitate a sense of community between audiences and those who experienced them. 

  • Sales Rank: #1772836 in Books
  • Brand: Brand: Northwestern University Press
  • Published on: 2011-09-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .80" w x 6.00" l, 1.15 pounds
  • Binding: Paperback
  • 296 pages
Features
  • Used Book in Good Condition

About the Author
Suzanne M. Trauth is a Professor of Theatre at Montclair State University where she coordinates the B.F.A. Acting program. She directed Katrina: the K Word at Montclair State as well as staged readings of the play at Playwrights Theatre of New Jersey and Drew University. Ms. Trauth has produced and directed productions at the Ensemble Studio Theatre in New York, the Whole Theatre, 12 Miles West, and TheatreFest. As part of a global initiative, she directed The Crucible for the Theatre-on-Podol in the Ukraine. She co-authored Sonia Moore and American Acting Training and Producing Musical Theatre, has written on acting theory and Soviet theatre, and served as Assistant Artistic Director of the Sonia Moore Studio in New York. 

Lisa S. Brenner received her Ph.D. in Theatre from Columbia University. Published articles include "Beyond Words: Producing Palestinian-Israeli Dialogue at the Galilee Multicultural Theatre." Theatre Topics (September, 2009) and "Blackface as Religious Expression-Job: The Hip-Hop Musical." Crosscurrents (November, 2003). She has worked as a professional dramaturg, including her work at Vital Theatre in New York City, garnering two OOBR Awards for Excellence. Taking Names, a play she co-wrote with three other playwrights, won "Best New Play" in the 2000 All Out Arts Festival in New York City. Lisa is currently Assistant Professor of Theatre Arts at Drew University in Madison, New Jersey. In 2009, Drew granted her the Faculty Leadership Civic Engagement Award for her work on Katrina: the K Word, among other projects. 

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Kamis, 28 Januari 2016

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  • Sales Rank: #5787692 in Books
  • Brand: Brand: Gale Group
  • Published on: 1994-04
  • Original language: English
  • Number of items: 2
  • Dimensions: 11.50" h x 9.00" w x 1.75" l,
  • Binding: Hardcover
  • 577 pages
Features
  • Used Book in Good Condition

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Senin, 25 Januari 2016

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This award-winning multi-volume series is dedicated to making literature and its creators better understood and more accessible to students and interested readers, while satisfying the standards of librarians, teachers and scholars. Dictionary of Literary Biography provides reliable information in an easily comprehensible format, while placing writers in the larger perspective of literary history.Dictionary of Literary Biography systematically presents career biographies and criticism of writers from all eras and all genres through volumes dedicated to specific types of literature and time periods.For a listing of Dictionary of Literary Biography volumes sorted by genre click here.

  • Sales Rank: #5203174 in Books
  • Brand: Brand: Gale
  • Published on: 1995-11-07
  • Released on: 1995-11-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x 1.10" w x 8.40" l, 2.60 pounds
  • Binding: Hardcover
  • 408 pages
Features
  • Used Book in Good Condition

About the Author
Bernth Lindfors, professor of English and African literatures at the University of Texas at Austin, is the author of "Folklore in Nigerian Literature, Popular Literatures in Africa, " and "Comparative Approaches to African Literatures". And, he is the editor of "Critical Perspectives on Chinua Achebe" and "Approaches to Teaching Achebe's "Things Fall Apart.""

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Minggu, 24 Januari 2016

^^ Download Acts of War: Iraq and Afghanistan in Seven PlaysFrom Brand: Northwestern University Press

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As Karen Malpede points out in her introduction to Acts of War, tragedy "arose as a complement to, perhaps also as an antidote to, war." The greatest of the early playwrights wrote from experience—Aeschylus and Sophocles were generals in the Athenian army, and Euripides was a combat veteran. Electronic media reports war instantly, but the stage provides an unrivaled venue for facing the horror of armed conflict on a human scale.This timely anthology of plays by American and British writers bears witness to the realities of the wars in Iraq and Afghanistan for combatants and civilians alike and asks what it means to be a citizen in a democracy at war.

From violence on the battlefield and in the cells of Guantanamo to the toll exacted on the homefront, the seven plays collected by Malpede, Messina, and Shuman explore in depth the costs of war. Sometimes with humor or erotic charge, always with compassion and surprising insight, these contemporary plays return to the theater a necessary social edge.

Karen Malpede’s introduction sets the plays in the broader contexts of theater’s roots and recent history, while award-winning journalist and author Chris Hedges provides a foreword.

  • Sales Rank: #1050130 in Books
  • Brand: Brand: Northwestern University Press
  • Published on: 2011-03-25
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x 1.00" w x 6.25" l, 1.67 pounds
  • Binding: Paperback
  • 400 pages
Features
  • Used Book in Good Condition

Review
"We in America are confounded by contradictions and are here challenged to look, to see, to know ourselves--our lies and hypocrisy, our courage and goodness." -- Olympia Dukakis

About the Author

Karen Malpede is author of fifteen produced plays, short stories, and essays on theater and human rights, and a collection of early plays, A Monster Has Stolen the Sun and Other Plays (1987). She is cofounder, with George Bartenieff and the late Lee Nagrin, of Theater Three Collaborative. She has taught Greek and contemporary drama and writing at Smith College, New York University, and the CUNY Graduate Center’s Continuing Education Program.

Michael Messina was the publisher at Applause Theatre & Cinema Books and Limelight Editions (Hal Leonard Corporation).He has also worked for Da Capo Press, Cooper Square Press, and the American Booksellers Association.

Bob Shuman is the owner of Marit Literary Agency in New York, and is an editor, a playwright, a college professor, an author, and a composer. He is coeditor of Duo!: The Best Scenes for Two for the 21st Century (2009). A fellow of the Lark Theatre Company, he is the recipient of Hunter College’s Irv Zarkower Award for excellence in playwriting. Visit Shuman’s theater website, Stage Voices, at www.stagevoices.com.

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10 of 12 people found the following review helpful.
Here are the plays
By mmessina
Here are the great plays included in this collection: Guantanamo: "Honor Bound to Defend Freedom" by Victoria Brittain and Gillian Slovo; American Tet by Lydia Stryk; The Vertical Hour by David Hare; Prophecy by Karen Malpede; 9 Circles by Bill Cain; No Such Cold Thing by Naomi Wallace; and A Canopy of Stars by Simon Stephens.

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Sabtu, 23 Januari 2016

? PDF Download The First Lady of Olympic Track: The Life and Times of Betty Robinson, by Joe Gergen

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The First Lady of Olympic Track: The Life and Times of Betty Robinson, by Joe Gergen

The 1928 Olympic Games in Amsterdam were the first in which women—over the objections of many, including Pope Pius XI and the founder of the modern Olympics, Baron Pierre de Coubertin—were allowed to run in the marquee track events.

Equally remarkable is the story behind the first female gold medal winner in the 100-meter dash, sixteen-year-old American Betty Robinson. A prodigy running in just her fourth organized meet, Robinson stunned the world, earning special praise from the president of the 1928 American Olympic Committee, General Douglas MacArthur. But Robinson’s triumph soon became tragedy when in 1931 she was involved in a life-threatening plane crash. Unable to assume a sprinter’s crouch, she nevertheless joined fellow pioneer Jesse Owens at the infamous 1936 Berlin Olympics, and achieved further glory on the relay team. Journalist Joe Gergen’s The First Lady of Olympic Track rescues an exceptional figure from obscurity.

  • Sales Rank: #1431746 in Books
  • Published on: 2014-04-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .70" w x 5.50" l, .70 pounds
  • Binding: Paperback
  • 224 pages

About the Author

JOE GERGEN was a sports writer and columnist for Newsday for forty years. He also has written for numerous other publications, including Sporting News, Sports Illustrated, and New York magazine. His previous books include The Final Four (1987) and, with Ralph Kiner, Kiner’s Korner (1987).

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1 of 1 people found the following review helpful.
Engaging read
By jaine
The research was exceptional and it really read like a novel. The story was not only amazing but the way it was written kept me involved. These were incredible obstacles a young girl overcame--truly inspiring.

0 of 0 people found the following review helpful.
No more: Betty Who?
By Daniel E. Conrad
Betty Robinson is one of those people that when you learn of them, you have to scratch your head and wonder: why on earth have I never heard of them before? Theirs should be a household name! Perhaps Joe Gergen's interesting and well written book will help -- though maybe not. A strength of this book is telling Betty Robinson's story (which could be told in a long article I suppose) within the context of the 1928 Olympics that were the first in which women were allowed to compete, and as part of the story of the famous (or infamous) 1936 Olympics in Berlin -- in which Hitler was one of the spectators who saw Betty win her second gold medal. You also learn a lot about efforts to keep women from competing athletically. Accessible to young readers (in terms both of reading level and holding their interest) but intended, I think, for an adult audience.

0 of 0 people found the following review helpful.
Great story, and at the same time, a larger story.
By Richard R. Schwartz
Betty Robinson's story is unique and extraordinary. The historical series of events that are very much a part of her story are well presented by Mr. Gergen. We see the world moving ahead through the lenses of two very significant Olympics. Betty's part in them make the book a rewarding read. Her comeback from a near fatal plane crash is inspiring. Good book to have.

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Rabu, 20 Januari 2016

^ Ebook Free Improvisation for the Theater: A Handbook of Teaching and Directing Techniques (Drama and Performance Studies), by Viola Spolin

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Improvisation for the Theater: A Handbook of Teaching and Directing Techniques (Drama and Performance Studies), by Viola Spolin

Here is the thoroughly revised third edition of the bible of improvisational theater.

Viola Spolin's improvisational techniques changed the very nature and practice of modern theater. The first two editions of Improvisation for the Theater sold more than 100,000 copies and inspired actors, directors, teachers, and writers in theater, television, film. These techniques have also influenced the fields of education, mental health, social work, and psychology.

Also available: Spolin's Theater Game File

  • Sales Rank: #62572 in Books
  • Color: Black
  • Published on: 1999-07-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.30" w x 6.00" l, 1.40 pounds
  • Binding: Paperback
  • 412 pages

From Library Journal
This new edition of a highly acclaimed handbook, last published in 1983 and widely used by theater teachers and directors, is sure to be welcomed by members of the theater profession. Spolin, who died in 1994, developed her improvisational techniques of using "game" exercises while teaching with the WPA Recreational Project in Chicago. Editor Sills, her son and founder of the Second City Theater, here updates over 200 classic exercises and adds 30 new ones. The creative group work and games, which can be used with all levels and ages of performers, and workshop techniques that enhance performers' natural abilities and intuition are all clearly explained. Also included are useful definitions of theater terms and a glossary of side-coaching phrases. Libraries with older editions will want this excellent update. Highly recommended for all theater arts collections.AHoward E. Miller, Rosary H.S. Lib., St. Louis
Copyright 1999 Reed Business Information, Inc.

Review
"Her book is the bible." --Rob Reiner


"It's like basic research ... she [has] changed the theater for generations." --Alan Alda


"She has genius and shares it." --Valerie Harper

About the Author
Viola Spolin, the originator of theater games, was introduced to the use of games, storytelling, folk dance, and dramatics as tools for stimulating creative expression in the 1920s while a student of Neva Boyd at Chicago's Hull House. During her years as a teacher and supervisor of creative dramatics there, she began to develop her nonverbal, nonpsychological approach. Her books have been translated into Swedish, German, and Portuguese. She died in 1994.

Paul Sills is Viola Spolin's son and the founding director of Chicago's Second City and of Story Theater. He is the coeditor of the third edition of Improvisation for the Theater.

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39 of 39 people found the following review helpful.
teachers and actors, this is for you!
By helen marquardt
For serious students and teachers this is the basic bible of improvisation. It gives a strong, basic philosophy of improv for both teachers and actors. It contains methods, games and a variety of techniques to develop oneself both as a teacher & and actor. Step-by-step approaches are offered as well as overviews for ones own creativity. The book is well-organized, too so that the teacher/actor can easily access a favorite warm-up,beginning game or advanced exercise. Not a book for skimming! One must study this book, that is if you truly love the theatre!

80 of 80 people found the following review helpful.
The Modern Theatrical Benchmark
By Kevin L. Nenstiel
It is important to realize, before purchasing "Improvisation for the Theater," that it will not teach you the silly games and clownish humor you see on "Whose Line Is It Anyway?" Funny though many people find that show, it bears only a shirt-tail relationship to improvisation as Viola Spolin conceived of the concept.

First of all, she probably would have been horrified to discover that many people now regard improvisation and comedy synonymous. In her system, improvisation could have been comedic, tragic, surrealistic, or anything in between. The label hung on the performance was secondary to its quality, consistency, and depth.

In this, Spolin's classic textbook (newly updated and expanded by her son and daughter-in-law, her intellectual executors and heirs), she lays down the ins and outs of improvisation for performance. Activities listed in this book are designed to conduct a full workshop for improvisational actors. There are games listed for absolute beginners, orienting them to the demands of the stage, so there is no false expectation of prior experience. The games, moreover, are almost all adaptable to all ages, so a children's workshop won't feel you're going over their heads, and an adult workshop won't feel they're being condescended to.

The chapters are arranged in the sequence Spolin felt would be most efficient in creating a fully-dimensional improv show that would capture audience attention and be satisfying for all involved. Not everyone will agree that this is the best sequence, and with a little time and consideration, the games can be reordered to suit an individual director's tastes. However, this should be undertaken with care -- many people have used this workshop pattern very effectively for over forty years with great success and enjoyment.

The games, moreover, can be used individually, both in classrooms and in a theatrical directing environment. Many of the games teach important skills regarding vocal technique, character-motivated action, attention to environmental detail, and poise. Even when working with experienced actors, I have found many of these games useful in developing wholly realized characters and environments, and the group nature of the work is key in creating unity among cast members and ensuring everybody is playing off the same rules.

I have worked with scarcely an acting coach or director who has not, at some point, used some activity from this book to achieve some goal. By having actors participate in these activities, the whole production is moved toward a unified and consistent goal, usually one that cannot be achieved by mere talking and finger-pointing. Complex variations of these games are used by improvisational troupes throughout the world, and Spolin's teachings have really been the benchmark for theatrical education and directing for nearly half a century now.

No actor who wants to grow in skill, no acting teacher who wants to guide students toward higher ability, no director who wants to achieve results quickly and well, should ever be without this book. It is the measure of greatness in modern theatre.

0 of 0 people found the following review helpful.
Five Stars
By Joanna
Very good book. Clear and easy to understand yet informative.

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Selasa, 19 Januari 2016

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  • Sales Rank: #15631526 in Books
  • Published on: 1994
  • Dimensions: 11.50" h x 9.00" w x 1.50" l,
  • Binding: Hardcover

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Containing more than one hundred hours of Supreme Court oral arguments as well as opinion pronouncements from the bench, this two-CD-ROM set highlights the recent landmark cases Bush v. Gore, United States v. Morrison (Violence Against Women Act of 1994), and Boy Scouts of America v. Dale. The updated version showcases Supreme Court justices grappling with some of the thorniest issues in American politics and then speaking to the American people to explain the Court's decisions.

The first edition was widely praised as the most accessible and authoritative collection of Supreme Court oral arguments, and the ABA Journal of the American Bar Association labeled the multimedia masterpiece "incredibly cool and addicting."

  • Sales Rank: #4068717 in Books
  • Brand: Brand: Northwestern University Press
  • Published on: 2002-12-11
  • Original language: English
  • Number of items: 2
  • Dimensions: .41" h x 5.62" w x 4.92" l,
  • Binding: CD-ROM
Features
  • Used Book in Good Condition

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^ Fee Download Passenger and Immigration Lists Bibliography, 1538-1900: Being a Guide to Published Lists of Arrivals in the United States and CanadaFro

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  • Sales Rank: #2955330 in Books
  • Published on: 1988-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.50" h x 9.00" w x 1.25" l,
  • Binding: Hardcover
  • 324 pages

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PASSENGER AND IMMIGRATION LIST BIBLIOGRAPHY 1538-1900
By D. Sherrill
ARRIVED PROMPTLY. VERY GOOD CONDITION. VERY PLEASED IN SERVICE.
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Senin, 18 Januari 2016

! Ebook Free A Beginning Singer's Guide, by Richard Davis

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A Beginning Singer's Guide is a vocal pedagogy with four practical uses. First, it can be used as a collateral text for studio voice lessons. The teacher can conserve time by assigning relevant reading in the book instead of making lengthy expositions during the lesson. Second, it can be used as a primary text for undergraduate vocal pedagogy classes. Many schools offer a vocal pedagogy class whose enrollment includes singers and future choral conductors. A special chapter for the future choral conductor containing methods and other aids should meet the need for an all-in-one text for this class. Third, it can be used as a practical guide for new voice teachers. A special chapter containing methods for new voice teachers and studio administration will be very useful to the new teacher of voice. Fourth, the book explores subjects not usually covered in music pedagogy books, such as notes on working with a pianist, improving memory, common acting terms, subtexting, and methods for alleviating performance anxiety. These important, yet often disregarded areas, further complement a singer's talent and skill.

The author does not espouse any particular "method" of singing; instead, he applies a universal, scientific approach with the firm belief that singing can be enhanced through further musical knowledge. The sequence of the book follows the natural sequence of learning to sing. The book is rounded out with line art of the vocal mechanism, musical examples, tables outlining the musculature of singing, practical forms, information for the beginning teacher, and a bibliography.

  • Sales Rank: #1161168 in Books
  • Brand: Brand: Scarecrow Press
  • Published on: 1998-09-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.48" h x .53" w x 5.26" l, .64 pounds
  • Binding: Paperback
  • 224 pages
Features
  • Used Book in Good Condition

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0 of 0 people found the following review helpful.
My professor wrote this
By Sandra B
The author of this book is my professor for vocal Pedagogy! He's great

0 of 0 people found the following review helpful.
Great
By Songbird15
Great book with excellent tips and ideas regarding vocal pedagogy. Downloaded to my iPad for easy reading and has really helped improve my vocal practice.

0 of 0 people found the following review helpful.
Very useful.
By Frances Hollenbeck
A comprehensive guide for the beginning singer, including basic breathing guidelines and exercises, vowel production and placement, Very useful.

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