Senin, 28 April 2014

## Download PDF Bright Ideas: A Pocket Mentor for Beginning Teachers, by Mary C. Clement

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Bright Ideas: A Pocket Mentor for Beginning Teachers, by Mary C. Clement

Want to learn 15 tips on how to prepare personally and professionally for your first job in teaching? Would you like to have 5 winning ideas for opening lines of communication with parents? Looking for techniques to create a workable classroom management plan? You'll find all this, plus 42 tips for new teachers gathered from the Internet, and more in this user-friendly booklet of checklists. Highly recommended.

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Countdown to the First Day of School: A K-12 Get-Ready Checklist for : Beginning Teachers, Teacher Transfers, Student/Preservice Teachers, Mentors - ISBN 0810621622

The NEA Professional Library is the book publishing arm of the National Education Association. Our books are enjoyed by teachers, education students, education support professionals, higher education faculty and retired educators. Our mission is to provide timely and topical titles that enhance the professional lives of our members.

Some of the areas we publish in include:

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  • Sales Rank: #7133145 in Books
  • Published on: 1997-01-01
  • Binding: Paperback
  • 56 pages

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Sabtu, 26 April 2014

^ Ebook Download The Second City Almanac of Improvisation, by Anne Libera, Second City Inc.

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The Second City Almanac of Improvisation, by Anne Libera, Second City  Inc.

It all began in a converted Chinese laundry on Chicago's north side on a cold December night in 1959. No one could have known that by the next century, The Second City would have established itself as the premier comedy institution in the world. Taking its act north, The Second City would build a second permanent home in Toronto where it would create the Emmy-Award winning television series "SCTV." Pioneering the use of improvisation in developing talent and creating satiric revue comedy, The Second City has become - in the words of the New York Times - "A Comedy Empire."

The Second City Almanac of Improvisation - like the theatre itself - is a collection of diverse ideas, viewpoints, and memories, written by a vast array of teachers, actors, and directors who all got their start at the legendary comedy theatre. Fred Willard recalls his introduction to The Second City style in the mid-Sixties; Tim Kazurinsky gives a hilarious visual demonstration on the art of object work; "Saturday Night Live" star Tina Fey talks about re-improvising material as a mode of writing revue comedy; noted director Mick Napier takes on the thorny debate between long-form improvisation and short-form improvisation. Anne Libera guides the reader through each essay by providing a road map for understanding how The Second City method of improv-based comedy has become the industry standard.

Mike Nichols, Elaine May, Alan Arkin, Joan Rivers, Robert Klein, Peter Boyle, Harold Ramis, John Belushi, Dan Aykroyd, Bill Murray, John Candy, Martin Short, Gilda Radner, George Wendt, Jim Belushi, Bonnie Hunt, Mike Myers, Ryan Stiles, Rachel Dratch, Nia Vardalos - no other theatre can boast an alumni list of this magnitude. The Second City Almanac of Improvisation provides practical instruction, personal details, and inspiration to both improvisers and their fans.

  • Sales Rank: #210028 in Books
  • Brand: Brand: Northwestern University Press
  • Published on: 2004-05-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x .80" w x 8.00" l, 1.33 pounds
  • Binding: Paperback
  • 200 pages
Features
  • Used Book in Good Condition

From Booklist
Most previous books about Second City, Chicago's improvisation-based comedy cabaret (the most noteworthy is Sheldon Patinkin's Second City, 2000), just chronicle its history and list illustrious alums (Alan Arkin, Barbara Harris, John Belushi, Gilda Radner, Bill Murray, Tina Fey, et al.). None explores SC's complex creative process and its relationship to comic improvisation as thoroughly as Libera's does. While SC-style comedy rests on the foundation of Viola Spolin's theater games, for a long time at SC, improv was mainly a tool for training actors and generating material. That caused much grumbling by lovers of pure improv; meanwhile, director Del Close dreamed of creating fully improvised shows so good that transcripts could be published as finished plays. In gemlike essays by SC directors, teachers, and actors, including improv guru Martin de Maat and Dan Castellaneta (the voice of Homer Simpson), and additional material by Libera, the book reveals the extent to which there is no single SC creative method but, instead, an ongoing, heated discussion of SC's art and its 45-year winning streak. Jack Helbig
Copyright © American Library Association. All rights reserved

Review
"Second City is not only a Chicago treasure, it's one of the most important theatre companies in the United States. Their legacy and commitment to improvisation and comedy is invaluable!" -Robert Falls, Artistic Director of The Goodman Theatre


"The alumni of Second City from John Belushi to Martin Short have changed my entire life and brought a new kind of comedy to America and the World." -Bernie Brillstein, Founding Partner of Brillstein-Grey Entertainment


"Second City teaches its actors what it means to be part of an ensemble. It's a technique that forces the actor to listen and be supportive during a scene. In an audition, I can always spot a Second City trained actor. First, I check their resume and then I observe an actor whose characters are well developed, honest and real." -Dick Blasucci, Executive Producer, MadTV

About the Author
Anne Libera is the artistic director of The Second City Training Center and also resident director at The Second City.

Most helpful customer reviews

7 of 7 people found the following review helpful.
Improv from the Masters
By Susan W.
You can skip around in this book as much as you wish. There are gems of information all through it.

9 of 9 people found the following review helpful.
The most effective book of it's kind
By Matthew Wilding
Written by a long list of some of the most talented minds in improv comedy, both past and present, The Second City Almanac is a scrapbook of useful and often contradictory information about improv and sketch comedy. Leading new comedic actors through how to start a group, direct, and maximize your improv potential, it is required reading for comedians, actors of all stripes, or anyone interested in live comedy. I found portions written by Tina Fey and Mick Napier to be the most revealing.

A word of warning, though. At times this book can feel disjointed. It's not a bad thing, just a disorienting one.

17 of 18 people found the following review helpful.
THE new bible of improv.
By James T Hampton II
Every 20 years or so a new book comes out that sets itself apart as the definitive book of improvisation. Not since "Truth in Comedy," have I read such a useful and practical guide to improv by some of its greatest leaders. With more specialized authors and obviously more contemporary contributors Libera has written and compiled a work that is sure to be the improv industry standard for at least the next 20 years if not more. It has definitely helped me get more laughs on stage.

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Jumat, 25 April 2014

>> PDF Ebook A Thing of This World: A History of Continental Anti-Realism (Topics in Historical Philosophy), by Lee Braver

PDF Ebook A Thing of This World: A History of Continental Anti-Realism (Topics in Historical Philosophy), by Lee Braver

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A Thing of This World: A History of Continental Anti-Realism (Topics in Historical Philosophy), by Lee Braver

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A Thing of This World: A History of Continental Anti-Realism (Topics in Historical Philosophy), by Lee Braver

At a time when the analytic/continental split dominates contemporary philosophy, this ambitious work offers a careful and clear-minded way to bridge that divide.  Combining conceptual rigor and clarity of prose with historical erudition, A Thing of This World shows how one of the standard issues of analytic philosophy--realism and anti-realism--has also been at the heart of continental philosophy. 
 
Using a framework derived from prominent analytic thinkers, Lee Braver traces the roots of anti-realism to Kant's idea that the mind actively organizes experience.  He then shows in depth and in detail how this idea evolves through the works of Hegel, Nietzsche, Heidegger, Foucault, and Derrida.  This narrative presents an illuminating account of the
history of continental philosophy by explaining how these thinkers build on each other's attempts to develop new concepts of reality and truth in the wake of the rejection of realism.  Braver demonstrates that the analytic and continental traditions have been discussing the same issues, albeit with different vocabularies, interests, and approaches.
By developing a commensurate vocabulary, his book promotes a dialogue between the two branches of philosophy in which each can begin to learn from the other.

  • Sales Rank: #549565 in Books
  • Brand: Brand: Northwestern University Press
  • Published on: 2007-07-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.40" w x 6.00" l, 1.84 pounds
  • Binding: Paperback
  • 516 pages
Features
  • Used Book in Good Condition

Review
"It is the sort of book that everyone working in the continental tradition, and many in the analytic tradition, will want to read... Braver's real strength is his sweeping synoptic vision of continentalism from Kant to Derrida, backed by triple the needed homework to make this vision tangible.  The book deserves great success, and Braver ought to become a household name in continental circles... It would be hard to ask for a more thoroughly researched work on the topic, or for one more honest or more technically precise... A landmark."--Philosophy Today

"This is a superb book, and potentially an important book. It is addressed to analytic and continental philosophers alike without sacrificing either of the strengths of those traditions: conceptual rigor and clarity of prose on the one hand, historical depth and careful erudition on the other. . . . It is high time our profession embarks on some serious scholarship in this field, and Lee Braver seems to be the one to lead that effort."--John Protevi, editor of A Dictionary of Continental Philosophy



"A Thing of This World is an impressive and valuable achievement. . . that could do a lot to help apnalytical and continental philosophers understand each other. Lee Braver shows an amazing overalla knowledge of the relevant primary and secondary sources, and his analyses of the philosophers he takes up. . . are admirably clear and free from jargon. His Heideggarian critique of Davidson on language, for example, casts new light on the approaches of both thinkers."--Hubert L. Dreyfus, professor of philosophy at the University of California, Berkeley

About the Author
Lee Braver is chair of the department of philosophy at Hiram College in Hiram, Ohio.

Most helpful customer reviews

9 of 10 people found the following review helpful.
Continental Anti-Realism
By Anthony Rudd
This is a remarkable book. So much Continental philosophy - both primary texts and commentaries - is written in a style of extreme obscurity, that it is immensely refreshing to read a history of Continental philosophy that is so utterly lucid. The wonderful clarity of Braver's writing is not purchased at the cost of dumbing-down, or of translating 'Continental' thoughts into analytic terms that avoid their real challenge and distinctiveness. The breadth and seriousness of Braver's scholarship is most impressive. His careful distinguishing of the various realist and anti-realist theses, and his meticulous historical account of the ways in which they have been variously developed, combined and distinguished, makes this book a major contribution to the realism/anti-realism debate, as well as an important history of Continental thought. It is a work that opens up new possibilities for constructive dialogue between the analytic and Continental traditions.
To admire a philosophical work is, of course, not at all the same as to agree with it. (I do worry a little that analytical philosophers might be so relieved to find an account of Continental thought that is actually intelligible that they might come too quickly to accept Braver's readings as gospel!)For instance,I don't think Heidegger (early or late) really held what Braver calls the "Heideggerian Paradigm" (though there are certainly others, including Foucault, who did); nor do I think that Paradigm is philosophically tenable (Braver doesn't explicitly commit himself on this, though he seems very sympathetic to it); and nor do I think it is even the radical break with the past of "metaphysics" that Braver takes it to be. More fundamentally, I worry that Braver's account of the history of Continental philosophy as a progress towards ever more radical (and consistent)forms of anti-realism has the effect of covering up other and perhaps richer ways of seeing that history. Braver takes the standard view that Kant's postulation of the thing-in-itself was an unnecessary concession to realism which his successors sensibly dropped. I would see it, rather, as an acknowledgment of epistemic humility - a recognition that we inhabit a world which infinitely exceeds our capacities to grasp it. What realists and idealists (anti-realists etc) have in common is a refusal to recognise that there could be more to reality than we can know; Braver's focus on the realist/anti-realist debate means that this properly Kantian option drops between the cracks. I would argue that it is that it is in fact the development of that option (through Kierkegaard, Heidegger as I understand him, Gadamer, Ricoeur, Levinas and - perhaps - Derrida) that constitutes the most promising aspect of the history of Continental philosophy.
(I should mention that I read this book in conjunction with another long, sweeping history of Continental thought - David Walsh's 'The Modern Philosophical Revolution'. Walsh has chapters on all the thinkers Braver discusses, except Foucault, but also has chapters on Schelling, Kierkegaard and Levinas. (That in itself may give a sense of the difference between the books; Heidegger and Derrida certainly look different when they are put in the company of Kierkegaard and Levinas than they do in that of Foucault.) It was very interesting to read the books together. Walsh is often frustratingly vague and allusive, where Braver is exquisitely clear; but I think Walsh is right to see the "anti-realist" aspect of (much of) Continental though as subordinate to the broader theme of its (Kantian) prioritising of the existential or practical over the theoretical stance.)
But, in philosophy, the mark of an important work is that it stimulates one to disagree. Braver shows how one can reasonably and responsibly read the relevant history the way he does. He really enabled me to understand for the first time how the later Heidegger could be seen (as many do see him) as the precursor of French post-structuralism - which had always seemed to me utterly remote from Heidegger in spirit and basic orientation. (It still does, mind you; but Braver has helped me to see the real connections between them, as well as why many people have found it plausible to see more connections than I think there really are.)And much of his exegesis, and his searching critical commentary, seems to me spot-on. This is a wonderful book which will, I hope, stimulate much debate, both exegetical and substantively philosophical. (Not that, according to most Continentalists, one can really separate the two...)

8 of 9 people found the following review helpful.
Informative, worth reading.
By gioanpj
I will save everyone from another extended synopsis of Braver's book; nor will I speculate on Braver's personal character (It a fallacious way to argue to attack the school he teaches at and not the arguments he makes). Rather, I will just mention lightly some off-the-cuff impressions of the book. The book offers some excellent insights, and is a good introduction to many of the thinkers it covers. That isn't to say that it is without its problems, nor is it to say that many of Braver's readings aren't controversial-- but one has to read the book and grapple with the content before one can even decide.

The things I liked:

*It is written in very clear prose which is accessible to most people with an interest in philosophy.
*It covers a lot of different topics and goes fairly in depth.
*The Matrix at the beginning offers a useful heuristic device to reading many of the philosophers in the book, though at times it seems that the schematic creates some blind spots which need addressed.
*The book offers some excellent quotes
*The book was successful at peaking my interest in all the philosophers present.
*I felt like I came away with more knowledge after reading the book, as opposed to feeling like I needed to decode a dissociative experience.
*Braver makes Kant interesting!

The bad:
*The book seems to ignore the political dimensions present in many of the thinkers discussed.
*Though the Matrix at the beginning can be useful at times, it can also make it seem as if Braver's readings of the thinkers follows some external teleology leading up to yesterday's leading stars of philosophy (Derrida, Foucault). It gives the impression of a rather whiggish history of philosophy.
*Braver seems to ignore some key figures who, if included, would perhaps round out his analysis. But considering that the book is already of a sizable girth, it's not the biggest deal.

All in all, Braver's book isn't a timeless classic, nor will it be taken as the final word (he discusses too many philosophers for his interpretations to be taken as final), but it's worth reading and clarifies some of the concerns philosophers on both sides of the continental/analytic abyss deal with. It is also highly relevant to many of the current discussions one will encounter in the university in philosophy departments, as well as on the blogosphere.

20 of 22 people found the following review helpful.
Bravo!
By Mohammed H. Palejwala
The argument of Braver's book is that one of the threads that connects the major philosophers in the continental tradition is a commitment to anti-realism. This claim is not as obvious as one might think, due to the simple fact that these authors rarely employ the vocabulary associated with realism/anti-realism debates.

To remedy this situation, Braver first constructs a set of theses that are associated with realism. The word "theses" in the plural is significant because realism does not only entail the thesis that there is a mind-independent world. For example, he argues that an adherence to a bivalent theory of truth is also a logical consequence of realism - and I find his arguments convincing, especially since he supports them with texts from the analytic tradition.

Then Braver launches into his history of anti-realism in the continental tradition, starting with Kant. Kant develops a system of philosophy that opposes some of the major theses associated with realism - but he is not able to challenge all of them, rendering his philosophy inconsistent. According to Braver, the philosophers who follow - Hegel, Nietzsche, Heidegger, Foucault, and Derrida - attempt to do a better job than Kant in eradicating all the theses associated with realism (none of them succeed completely, but that is the task of future philosophers, and the anti-realist positions that they develop become more consistent over time).

Braver's succeeds in demonstrating that each philosopher is arguing against realism, even if they don't use conventional vocabulary. He quotes their works frequently, and then explains how that quote opposes a certain thesis of realism. For example, this strategy helped me understand what Heidegger means by Being - I've read several secondary works on Heidegger which have given me a functional understanding of the concept, but Braver enabled me to grasp it fully.

The genius of recasting these philosophers' works in terms of realism or anti-realism is that the theses associated with realism are relatively simple. The concepts of a mind-independent world or truth as correspondence are intuitive. Therefore, connecting notoriously difficult terms as "spirit," "will to power," "being," and "metaphysics of presence" to realism renders them less mysterious.

Another goal of this book is a rapprochement of the analytic and continental traditions. I would argue that this goal is secondary, since the primary goal is to situate diverse continental thinkers within a certain debate - but this has been a debate occurring in analytic circles also. At first, I thought Braver was going to argue that, "Look, once we develop commensurate vocabularies, we'll discover that we've been saying the same things all along!" He gives this impression at certain times, especially when he connects later Heidegger to later Wittgenstein (and the similarities are eerie).

However, in the conclusion, he argues that the two traditions fundamentally split because of the way in which they appropriated Kant. I've heard this argument elsewhere, and Braver's version make sense. In the end, he emphasizes both the similarities and the differences between the two traditions, an aspect of the book that I appreciated.

Overall, this book earns the highest praise from me. It is not without its flaws. Nevertheless, I would recommend this book to anyone interested in the continental tradition of philosophy, although I would recommend a prior understanding of these philosophers (especially Kant and Heidegger). You don't necessarily have to be interested in the realism/anti-realism debate beforehand. Suppose you just want to understand the later Heidegger - this book, by casting his vocabulary in terms of realism and anti-realism, will help you figure it out.

P.S. I have noticed that frequently philosophers who work to produce a synthesis between the analytical and continental fields often identify major continental philosophers as realists (for example, CG Prado for Foucualt and Christopher Norris for Derrida). I wonder if this results from a desire to make them more palatable for analytic philosophers (which is not to say that the aforementioned authors don't provide convincing reasons for their interpretations, they do). Therefore, Braver's book is unique for this genre.

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Selasa, 22 April 2014

## Download Ebook Modernism - Dada - Postmodernism (Avant-Garde & Modernism Studies), by Richard Sheppard

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Modernism - Dada - Postmodernism (Avant-Garde & Modernism Studies), by Richard Sheppard

Modernism-Dada-Postmodernism collects, updates, integrates and contextualizes the critic Richard Sheppard's essays on the historical avant-garde. Sheppard's topic in all of these essays is the modernist writers', artists', and philosophers' linguistic and visual responses to a changed sense of reality and human nature. Beginning with an overview of the problematics of European modernism, Sheppard establishes the dialectical relationship between the cultural crisis that occurred during the period 1880-1936 and the different responses from European modernists and the avant-garde. With its combination of classic and new essays and its perspective on the theoretical avant-garde/modernism debate in the United States, Sheppard's volume should give the specialist as well as the general reader an insight into the highest sample of European scholarly discourse on this subject.

  • Sales Rank: #3299453 in Books
  • Brand: Brand: Northwestern University Press
  • Published on: 1999-12-25
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.20" w x 6.00" l, 1.46 pounds
  • Binding: Paperback
  • 480 pages
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Senin, 21 April 2014

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Book by Urdang, Laurence and Frederick G. Ruffner, Jr.

  • Sales Rank: #10392025 in Books
  • Brand: Brand: Gale Research Co
  • Published on: 1982
  • Binding: Hardcover
  • 487 pages
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Jumat, 18 April 2014

! Free Ebook The Book of Hours: Prayers to a Lowly God (European Poetry Classics), by Rainer Maria Rilke

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The Book of Hours: Prayers to a Lowly God (European Poetry Classics), by Rainer Maria Rilke

This a complete translation of Rainer Maria Rilke's The Book of Hours that restores to the English-speaking reader a critical work in the development of a significant figure in 20th-century German poetry. Conveying an almost mystical conception of the relationship between God, the human being and nature, The Book of Hours (Das Stundenbuch, first published in 1905) is a series of intimate prayers written as if by a Russian monk turned painter - writings that bring to bear the profound influence of Rilke's journeys to Russia and Italy at the turn of the century.

  • Sales Rank: #1240226 in Books
  • Color: Multicolor
  • Published on: 2002-01-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.75" h x .80" w x 5.13" l, .59 pounds
  • Binding: Paperback
  • 235 pages

From Publishers Weekly
First published in German in 1905, Rainer Maria Rilke's The Book of Hours: Prayers to a Lowly God has not been wholly translated into English in more than 40 years. Annemarie S. Kidder, a native German speaker and interim associate pastor at Mt. Washington Presbyterian Church in Cincinnati, who has previously translated works by Jurgen Becker and others, here presents careful, rhymed versions of the entire three-part work, which reflects on the duties of the artist and his or her relations to various institutions and constituencies, including God, kings and "the house of the poor," which is "like a child's hand."

Copyright 2001 Cahners Business Information, Inc.

Language Notes
Text: English, German (translation)
Original Language: German

From the Back Cover
This is the first complete translation of Rainer Maria Rilke's Book of Hours in more than forty years. It provides English-speaking readers with access to a critical work in the development of the most significant figure in twentieth-century German poetry. A tripartite work comprising "The Book of the Monkish Life," "The Book of Pilgrimage," and "The Book of Poverty and Death," The Book of Hours is published here in a bilingual format, with the original German and the English translation on facing pages.
Conveying an almost mystical conception of the relationship among God, man, and nature, The Book of Hours (Das Stunden-Buch, first published in 1905) is a series of intimate prayers written as if by a Russian monk turned painter-writings that bring to bear the profound influence of Rilke's journeys to Russia and Italy at the turn of the century.
Annemarie S. Kidder's delicately nuanced translation preserves Rilke's uncomplicated and melodic flow, his rhythm, and, where possible, his rhyme while remaining true to content. Kidder's introduction and notes offer historical and interpretive background information, largely from Rilke's own diaries and correspondence, chronicling the influence of various geographical settings on the writing of The Book of Hours and illustrating Rilke's own spiritual quest. Also included are translated excerpts of an earlier manuscript of The Book of Hours, along with interpretations of the poetry.

Most helpful customer reviews

39 of 42 people found the following review helpful.
Nice to have a new, complete translation however...
By David
I'd like to see a more careful (more direct) translation of this great work. This version is good, certainly a much better reading than the disastrously attempt at rewriting by Anita Barrows. But why rewrite and interpret in the translation, I'd prefer more precision. Some examples from the first page: the beautiful passage, 'I live my life in expanding (growing) circles' has a phrase 'Ich weiss noch nicht' very easy to translate as 'I know not yet' or 'I don't yet know' here it is translated as 'yet unclear of my role' (which adds interpretation, and misses some of the beauty of Rilkes style). And 'um den uralten Turm' is translated 'around the tower of old', which is not bad but isn't 'around the ancient tower.' more poetic? And the wonderous conclusion of the passage is 'bin ich ein Falke, ein Sturm oder ein grosser Gesang' which is translated as 'be it falcon or storm or another magnificent song? instead of the direct 'am I a falcon, a storm, or a great song'.

Another example in this paragraph is 'Ich kreise um Gott'.und ich kreise jahrtausendelang? this passage poetically uses the word 'kreise' twice to create a symmetry 'I circle around God'. and I circle (for) thousands of years? instead it is translated 'I circle around God and I spin amidst thousands of years' (which is very nice, but not what I see in the German). So for the paragraph we have 'I circle around God, around the tower of old, and I spin amidst thousands of years; yet unclear of my role, be it falcon or storm or another magnificent song.' instead of 'I circle around God, around the ancient tower, and I circle for thousands of years; and I know not yet, am I a falcon, a storm, or a great song.' Well, in any case, I do recommend this translation as the best available, but hope another will appear in the near future or this one will be revised.
Updated. now that I've done my own translation, I realize how difficult it is to translate poetry, so I'm give this one 4 stars. I think adding footnotes would help, by explaining the alternatives for translating a sentence and would help get the meaning through and free the translator to seek the poetic.

11 of 11 people found the following review helpful.
You gotta be kidding me
By Gendun
My experience of Rilke is that most translations fall somewhere between "not very good" and "extremely awful." I have to say, even with low expectations, this book is disappointing. It's poorly translated and contains glaring typographical errors.

Kidder follows the rhyme scheme often but not always. Consider this baffling choice: "Du Dunkelheit, aus der ich stamme / ich liebe dich mehr als die Flamme" is rendered as "You darkness whence I came, / I love you more than the light."

What the huh? "Flamme" not only means flame, and not light, but "flame" rhymes with "came."

Joana Macy renders Rilke's "Ich liebe meines Wesens Dunkelstunde" as "I love the dark hours of my being." Kidder opts for "I love the hours when I'm blue, depressed."

I actually purchased this book for the German, not the translations, but the situation is not much better there. In the first line of a well-known and often-quoted poem from this collection, on the very first page, the book has "Ich lebe mein Leben ich wachsenden Ringen," instead of "Ich lebe mein Leben in wachsenden Ringen." This error is roughly on the order of "To boy or not to be."

A few pages later we get "Nachbarschft." Have you no copy editors, Northwestern University Press?

This book is an embarrassment.

7 of 7 people found the following review helpful.
Capricious and inaccurate
By Reinhart Poole
I would be remiss if I didn't warn you: This translation is extremely high handed and inaccurate. Ms. Kidder ignores adjectives to an alarming extent. Even important nouns are ignored for the sake of a haphazard rhyme scheme of her own invention that bears absolutely no relation to Rilke's.

The following example is typical:

Und manchmal bin ich wie der Baum,
der, reif unrauschend, über einem Grabe
den Traum erfüllt, den der vergangne Knabe
(um den sich seine warmen Wurzeln drängen)
verlor in Traurigkeiten und Gesängen.

Which Kidder translates as follows:

And sometimes I am like the tree
which, ripe and rustling above a grave,
fulfills himself the dream the boy
(round whom the living roots entwine)
once had and lost

vergangne (bygone or, perhaps erstwhile) the adjective that qualifies "Knabe" is ignored. "warmen Wurzeln" or "warm roots " is changed to the drier "living roots"
and "Traurigkeiten und Gesängen" - "Sorrows and singing" is completely ignored.
How does a translator ignore a line like "lost in sorrows and songs (or singing)". Also, what the hell is "fulfills himself the dream the boy" doing for us or Rilke?

Her capricious rhymes are baffling. They occur willy-nilly throughout, whenever she feels the urge or finds some opportunity to rhyme. Rilke's rhythms and meter seem to be of no consequence. Take this for instance:

Rilke's stanza goes like this:

Nur eine schmale Wand is zwischen uns,
durch Zufall; denn es könnte sein
ein Rufen deines oder meines Munds'
und sie bricht ein
ganz ohne Lärm un Laut.

Kidder translates:

Only a thin wall is between us,
mere happenstance; so there is a chance
that a call from your or my mouth
might break it down
without sound.

Kidder ignores "Lärm" (not to mention "ganz") in the last line and constructs a rhyme of "sound" with "down" and "mouth", making a rhyme scheme of ABCCC, where Rilke's is ABABC. Why sacrifice a beautiful word like "Lärm" or "noise" for the sake of a lame rhyme that has absolutely nothing to do with anything.
Also, the phrase "that a call from your or my mouth" (preservation of her scheme) sounds stiff in English where "that a call from your mouth or mine" would sacrifice nothing in sense and be more musical.

Or this line: "Wie bauen Bilder vor dir auf wie Wände" which Kidder translates as "We stockpile images of you like walls" forgoing the plainer more accurate and poetically satisfying "build up images of you like walls" for a "stockpile" which of course has nothing to do with walls (one doesn't stockpile walls, one constructs them builds them, piles them, erects them, or forms them. So go ahead and pile up images like walls. A stockpile, however, is a stockpile - 1. Something kept back or saved for future use or a special purpose; 2. a storage pile accumulated for future use). In short, the "stockpile" is too complicated an allusion here.

It just goes on and on: "sooft dich unsre Herzen offen sehn" is translated as "each time our hearts are wide" (again, to preserve a capricious rhyme) when "each time our hearts are open" (or `wide open", if you like) would be more accurate and evocative.
Why when Rilke writes "nach jeder Angst und jeder Nacht" does Kidder change the order of "worry" and "night " to read "after every night and every worry"?. Why not preserve the order and the rhythm by translating it "after every fear (or care, perhaps) and every night" (the dark after the fear)

I found it hard to trust this translation.

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Rabu, 16 April 2014

@ Ebook Free Phonetic Readings of Songs and Arias, by Berton Coffin

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Phonetic Readings of Songs and Arias, by Berton Coffin

Since 1964, the first edition has served singers, teachers of singing, and students of lyric diction as a guide to the correct pronunciation of songs in foreign languages. Lyrics and phonetic transcriptions are presented together so that a song may be correctly articulated from the first reading. The 413 songs included have been carefully selected from Coffin's The Singer's Repertoire (1960) and are representative of the most frequently performed vocal repertoire, with songs and arias for all voice classifications. This second edition contains revised German transcriptions with diphthongs altered to be of better acoustical and vocal value in singing. Correlated with Coffin's Overtones of Bel Canto (1980).

  • Sales Rank: #476856 in Books
  • Brand: Brand: Scarecrow Press
  • Published on: 1994-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.13" h x .81" w x 7.08" l, 1.53 pounds
  • Binding: Paperback
  • 400 pages
Features
  • Used Book in Good Condition

About the Author
The late Berton Coffin's teachings and writings established him as an international authority on vocal pedagogy. Professor Emeritus, University of Colorado, Boulder, he also lived and taught in Europe from 1976 to 1983―in his private studio in Vienna; during summers with the American Institute of Musical Studies in Graz, Austria; and in twenty-one opera houses in Austria, Denmark, Germany, Italy, and Switzerland. He presented master classes in the United States and in Europe and served as a visiting professor of voice at U.S. universities. Dr. Coffin, baritone, held academic and professional music degrees from Columbia University, Eastman School of Music, Chicago Musical College, and Earlham College.

Most helpful customer reviews

4 of 4 people found the following review helpful.
Great for any serious singer
By Becca
This is a good resource for those who cannot afford a subscription to IPA source. Many of the phonetic symbols used here are dated, and there are errors found throughout the book. It has not been updated in decades, so much of the information is dated. I would suggest comparing the IPA style found in this text to the symbols you have learned/are being taught before purchase. It is a good starting point for IPA work if you simply do not have the time to do it yourself.

17 of 17 people found the following review helpful.
A Great Tool for Classical Singers
By Dennis Parnell
The information contained in Phoenetic Readings of Songs and Arias is an absolutely necessary tool for every student of classical vocal repertoire. Not only do the authors understand what the novice singer needs, in terms of word order and pronounciation, but the information is also a very handy reference for the advanced singer and teacher. The best thing about this volume is that translations of the original word order of the original language is given, so that the student can see "how the language works" in its own word order. A great book!.

1 of 1 people found the following review helpful.
Amazing
By Dont' Ask
This book is the quintessential diction book a vocalist can ever buy. If you study from it and are serious about the pronunciation, then this book will help you tremendously.

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Selasa, 15 April 2014

~~ Download History and Truth (Northwestern University Studies in Phenomenology & Existential Philosophy (Paperback)), by Paul Ricoeur

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In this volume, Paul Ricoeur investigates the antinomy between history and truth, or between historicity and meaning. He argues that history has meaning insofar as it approaches universality and system, but has no meaning insofar as this universality violates the singularity of individuals' lives. Imposing unity upon truth, or unifying the diversity of knowledge and opinion, creates a singular and universal history but destroys historicity and subjectivity. Allowing for singularities in history promotes a multiplicity of truths over a single, unique truth, and thereby annihilates system."

  • Sales Rank: #175401 in Books
  • Brand: Brand: Northwestern University Press
  • Published on: 2007-09-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.00" w x 6.00" l, 1.10 pounds
  • Binding: Paperback
  • 368 pages
Features
  • Used Book in Good Condition

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Kamis, 10 April 2014

## Get Free Ebook Twentieth Century-Fox, by Aubrey Solomon

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Twentieth Century-Fox, by Aubrey Solomon

New in Paperback! In 1935, two film production companies merged to form one of the most influential corporations in the world—Twentieth Century-Fox. Here is the story of that dynamic company and of the personalities who molded it over the past fifty years, from Darryl F. Zanuk to Barry Diller. Unlike any previous volume on a film studio, this in-depth history is told from a corporate viewpoint, covering the trends that influenced film-making, profit-making incentives, and the creative policies resulting in films like The Grapes of Wrath, the Snake Pit, The Robe, Cleopatra, The Towering Inferno, and Star Wars. The book spans the birth of the movies; the rise of the studio system; the coming of sound; the Consent Decrees; the development of CinemaScope; the growth of independent production; and the video revolution. The result is an inside view of how the studio operated, with information never before published on the costs and grosses of films, as well as exclusive interviews and memos. Available in paperback 2001. Cloth version previously published in 1988.

  • Sales Rank: #7037688 in Books
  • Published on: 1989-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.84" h x .88" w x 5.52" l,
  • Binding: Hardcover
  • 301 pages

Review
The tale of its triumphs and disasters is told in this book with admirable clarity and spirit.......

...a good history...a thorough and professional job.

...a fascinating, and continuing, saga.

...flavorful sampling of the memoranda of productions chief Darryl Zanuck........

About the Author
Aubrey Solomon has been an active television writer/story editor and also produced the Twentieth Century-Fox television show That's Hollywood.

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Senin, 07 April 2014

# Download PDF Hog Butcher: A Novel, by Ronald L. Fair

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Hog Butcher: A Novel, by Ronald L. Fair

It’s summer on the South Side of Chicago, and ten-year-old boys Earl and Wilford are frequently courtside watching their role model Nathaniel “Cornbread” Hamilton as he prepares to leave for college on a basketball scholarship. Their world comes crashing down in an alley when two cops—one white, one black—mistake Cornbread for a fleeing burglary suspect. What follows threatens to tear apart the community. Earl and Wilford know what happened, but will they stand up for their hero in a city in which power trumps justice, and each player must decide whether to fold to the system, or risk losing it all?

Instantly recognized as a gritty classic when it was first published in 1966, Hog Butcher was later adapted for the 1975 film Cornbread, Earl and Me. This new edition brings back into print Fair’s startlingly relevant indictment of Chicago’s inequalities.

  • Sales Rank: #2983803 in Books
  • Brand: Fair, Ronald L./ Brown, Cecil (FRW)
  • Published on: 2014-06-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .70" w x 5.25" l, .50 pounds
  • Binding: Paperback
  • 200 pages

About the Author
RONALD L. FAIR was born in Chicago in 1932 and published his first novel, Many Thousand Gone: An American Fable, in 1965. His other novels include We Can’t Breathe (1972), winner of the Best Book Award from the American Library Association. He lives in Lappeenranta, Finland.

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1 of 2 people found the following review helpful.
Great Read
By Jimmy E. Boyd
I have enjoyed reading this book. I saw the movie Cornbread, Earl, & Me when I was a young boy. I found the dvd of it and watched it again, & loving it again even now that I am 50 yrs. old. After watching the dvd I saw it was Based on this book. It was good reading more of the story.

8 of 17 people found the following review helpful.
A summary of the Civil War in Spain.
By Kevin M Quigg
I have read a number of books about the Civil War in Spain. This is by far the most even handed when it describes the atrocities performed by both the Loyalists and Nationalists. For contemporary writers, it is easy to lambast Franco and his Nationalists for the evils they performed and overlook what the Communists and Anarchists performed on the upper classes and Church. Goldston does not do this. He describes both evils and was fair to both sides.
This book has both illustrations and pictures and was an easy read of 130 pages. If the reader is looking for more detail, read elsewhere.

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