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Between Lives: An Artist and Her World, by Dorothea Tanning
Free Ebook Between Lives: An Artist and Her World, by Dorothea Tanning
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Dorothea Tanning, one of the twentieth-century's most original and provocative painters, delivers a vivid account of a fascinating life lived as an artist among artists. Tanning reveals not only her life story, but the irresistibly creative mind that propelled her to live it. From the small town of Galesburg, Illinois, to the art hubs of New York and Paris, Tanning traveled the world of Surrealism and went beyond it, with fellow explorers Virgil Thompson, George Balanchine, Alberto Giacometti, Dylan Thomas, Truman Capote, Joan Miró, James Merrill, and Max Ernst, to whom she was married for over thirty years. Their life together forms an important and moving part of her unforgettable story; a story which, spanning almost a century, magically unfolds through Tanning's incandescent prose.
- Sales Rank: #1476233 in Books
- Published on: 2003-09-01
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x 1.40" w x 6.00" l, 1.17 pounds
- Binding: Paperback
- 378 pages
From Publishers Weekly
A noted American artist born in Galesburg, Ill., Tanning lived in a milieu of European creativity as wife of the surrealist painter Max Ernst (1888-1976). Now in her 90s, she has expanded a previous memoir (Birthdays) to offer a fuller reminiscence. She is self-effacing, finding Ernst's life and story more interesting than her own, but describes their shared life poetically: "Yes, I think I was his house. He lived in me, he decorated me, he watched over me." While there are glimpses of other creative talents, like the composer-critic Virgil Thomson, who snoozed next to Tanning while supposedly reviewing a concert, Tanning is best on artists, like the oddball genius Joseph Cornell: " a modern Dante, with his deep religious feeling and physical abstinence. Consummate romantic in an intoxicatingly worldly world, he came frequently to town as from some remote monastic commune." Fans of name-dropping will melt at her wedding with Ernst, a double marriage with Mr. and Mrs. Man Ray, with Stravinsky offering the wedding toast. More noteworthy is Tanning's ready wit, as in the story of a French neighbor's cat who would wait till his master arrived home, then "jumps up on the table and urinates in his soup." Surviving the devastating loss of Ernst, she concludes: "By evening the pall has lifted. Everything waits, radiant. Life is okay." Few surrealists or those close to them would have such a sunny world view, but this vigorous optimism is part of Tanning's real charm, not to mention her ever-improving art and poetry, both of which arrived at a new level of achievement when she was already a senior citizen. Modern art lovers of multiple generations will want this book, as will universities with larger art history collections.
Copyright 2001 Cahners Business Information, Inc.
From Library Journal
In this memoir, an expansion of Birthday, her 1987 collection of reminiscences, Tanning recounts her life and work. A noted painter and sculptor, Tanning moved in a circle that included some of the 20th century's greatest creative presences. From the worlds of dance, music, and literature, Tanning remembers episodes with Virgil Thomson, George Balanchine, Dylan Thomas, and Truman Capote. Her own artistic milieu included Giacometti, Joseph Cornell, Joan Mir?, and her husband, the surrealist Max Ernst. Never merely gossipy or needlessly name-dropping, Tanning's memoir parades those she met and knew through New York, to New Mexico, to Paris, and back again, after Ernst's death, to New York. In her writing, Tanning achieves, at moments and sometimes for pages at a time, a prose style that is nearly, but not quite, lucid. Unfortunately, her maddeningly "poetic" account provides us with an obstructed view into the world of modern art. A worthwhile but not necessary purchase for collections with a modern art focus. Martin R. Kalfatovic, Smithsonian Institution Libs., Washington, DC
Copyright 2001 Reed Business Information, Inc.
From Booklist
Piquant and candid at 91, Tanning acknowledges that her art has been overshadowed by that of Max Ernst, her husband for 34 years, and her musings on how she feels about this form one of many compelling strands in her meditative reminiscence. Concerned more with psychological truths and ambience than with fact, Tanning uses language like paint, limning scenes dreamy in hue yet acute in detail and metaphoric in their images. A pretty and adventurous girl from Galesburg, Illinois, she took off solo for Chicago, then New York. When she met Ernst (51 to her 32) in 1942, she was painting and supporting herself with fashion illustration, a distraction Ernst freed her from as they embarked on a resilient partnership that took them to rugged Sedona, Arizona, and lovely France, where they painted and cultivated close friendships with fellow artists. Tanning tells marvelously vivid and resonant stories and describes the "never-ending hunt for revealment" that spurs her ongoing creativity. Donna Seaman
Copyright © American Library Association. All rights reserved
Most helpful customer reviews
9 of 9 people found the following review helpful.
You want to have coffe with this artist
By Stuart Pearson
Tanning turns out to be not just one of the most under-appreciated artists of her time, but a thoroughly delightful writer. The book is almost whimsical in its telling of her life with and without Max Ernst. Her descriptions of finding her muse, working against inertia, picking up emotional wreckage and continually finding herself anew are inspiring and told in such flowing prose you find yourself wanting to spend an afternoon with this wondrous woman. At the time of this review, she's still alive and kicking at 101 and I thank her so much for her extraordinary paintings, her delightful poetry (still getting published in New Yorker magazine) and this wonderful account of her life as artist/muse/wife and survivor.
5 of 6 people found the following review helpful.
inspiring
By unclechristo
I love this book. Ms Tanning writes with such a zest for life and creativity that I find it just spills over and communicates to the reader.
She lived an amzing life and came a long way from sleepy small town America. There was obviously a determination or a restless something at work.
Mosty of all I just enjoy the way she writes - it's a lively quircky style but to me it got across the kind of person I imagine Dorothea Tanning to be.
A work of character by a character -
15 of 22 people found the following review helpful.
It Should Have Been So Much More
By zahak
Indifferent writing, a surprising lack of insight into the incredible milieu in which she moved, and gratuitously catty remarks towards the great Leonora Carrington (an earlier Ernst protege who Tanning apparently feels threatened by 50 years after the fact) mar what should have been a very interesting memoir of a remarkable life. Tanning, Max Ernst's companion of 30 years and a compelling painter in her own right, was at the heart of one of the great artistic movements of the 20th Century, but this work reads like a flat travel log of places gone to and roll call of persons met. The paucity of detail,personal anectdotes, and characterization of any of the luminaries mentioned mark Tanning's bio as a great disappointment.
--A two star book with one star added because any information on this artistic epoch provided by an active participant has to be considered an important contribution.
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