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The Charm of Evil: The Life and Films of Terence Fisher, by Wheeler Winston Dixon
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Terence Fisher was the director who brought the modern Gothic horror film to life in the second half of the twentieth century. As director John Carpenter (Halloween) notes in his introduction to the volume, "to see [Fisher's] films now...is to witness a focused and coherent world-view emerging from the Gothic horror formula...Terence Fisher and The Curse of Frankenstein was the beginning of it all for the modern horror film..." But Fisher's career is much more than the Hammer horror films. He worked in every conceivable genre and left his stamp on every aspect of the medium. In this book, the first full-length study of Fisher in English, Wheeler Dixon discusses in detail Fisher's entire work as a director.
- Sales Rank: #4290209 in Books
- Published on: 1991-07-01
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x 1.00" w x 6.00" l, 1.00 pounds
- Binding: Hardcover
- 591 pages
From Library Journal
In the late 1950s, Fisher helped revive the gothic horror film with The Curse of Fran kenstein and Dracula , both filmed at Hammer Studios, where Fisher maintained a long and productive career. This study aims to establish his critical reputation in the United States. Fisher struck fire with the Hammer films, which also boosted the careers of actors Peter Cushing and Christopher Lee. Lengthy plot summaries accompany discussions of the production, work schedules, and narrative structures of each of his major works. Dixon applauds Fisher's output and recounts the frigid reception he received from his contemporaries. He also quotes noteworthy interviewees like British cinematographer/director Freddie Francis and Fisher's widow Morag. Recommended for most film study collections with an interest in horror.
- Douglas W. Cooper, Ran dolph-Macon Coll. Lib., Ashland, Va.
Copyright 1991 Reed Business Information, Inc.
Review
...performs the significant service of evaluating Fisher's early, hard-to-see work, and some of its insights...have a vivid ring of truth. (Video Watchdog)
...a wonderful study... (The Big Reel)
Recommended for most film study collections with an interest in horror. (Library Journal)
...totally fascinating...the critical findings of such research are illuminating and carefully thought out...For any horror movie fan...this volume is a must-have. (Midnight Marquee)
Dixon is a real expert on film techniques and conducted valuable interviews with Fisher's widow and many of his colleagues. (Sfra Newsletter)
This book is a must for all Hammer film fans, and of course, all Terence Fisher fans...rich with interviews, background information and great photos...Don't miss this one...should be required reading. (Behind The Screams)
Dixon has done his work very well indeed. The research is flawless...a welcome and valuable resource... (Entertainment Magazine)
Dixon's in-depth research is evident throughout this work...a must... (Movie Collectors World)
...makes a good case for searching for copies of lesser-known titles... (Psychotronic)
...excellent career biography... (Film Review Annual [Uk])
About the Author
Wheeler Winston Dixon is the James Ryan Professor of Film Studies, Coordinator of the Film Studies Program, Professor of English at the University of Nebraska, Lincoln, and, with Gwendolyn Audrey Foster, editor of the new book series Quick Takes: Movies and Popular Culture for Rutgers University Press.
His recent books include Black & White Cinema: A Short History (2015); Streaming: Movies, Media and Instant Access (2013); Death of the Moguls: The End of Classical Hollywood (2012); 21st Century Hollywood: Movies in the Era of Transformation (2011, co-authored with Gwendolyn Audrey Foster); A History of Horror (2010); and Film Noir and the Cinema of Paranoia (2009).
Dixon's book A Short History of Film (2008, co-authored with Gwendolyn Audrey Foster) was reprinted six times through 2012. A second, revised edition was published in 2013; the book is a required text in universities throughout the world.
Most helpful customer reviews
6 of 6 people found the following review helpful.
"what might be the only type of book on my fav director."
By A Customer
Terence Fisher,--what more can i say or comment on who to me is my all-time favorite director of film (thus,most notably the horror field) Terence Fisher not only gave birth to the modern horror film (The Curse of Frankenstein (1957), but his work enfluenced generations to come,(people who we know today, martin Scorseasee, Stevein speilberg ext,) with his masterful works of art. With supream reigning masterpeices such as his 3 best(my opinion) Frankenstein must be Destroyed (1969), wich is a technical masterpeice, not have i seen a film that clicks so well, in it's flawless compostion, and pacing, and story narritive, it's whole cynical veiw of the world,. This with out doubt is Fisher's most cynical piece. The Devil Rides out (1968), is another prime example as being fisher at his very best, exploring human realationships, and his facination for the romantism that he has brought to most his best and personal works. And finnaly The Horror of Dracula (1958), often considered Hammer's crown jewl of horror. This perfectly captures the essence of the stoker novel, and his take on victorian society is superaltive, and not to mention the execution in every scene and shot is absolultely flawless (possiably D.P. Jack Asher's best work). So if u have a great admiration for Terence fisher and his films this is the book to get, trust me, even if u know quit a bit, there is with out a doubt that u will indeed learn more about One of the greatest British-film directors who ever made their mark on the silver screen. "Long live the King!"-
2 of 2 people found the following review helpful.
"what might be the only type of book on my fav director."-A+
By A Customer
Terence Fisher,--what more can i say or comment on who to me ismy all-time favorite director of film (thus,most notably the horrorfield) Terence Fisher not only gave birth to the modern horror film(The Curse of Frankenstein (1957), but his work enfluenced generationsto come,(people who we know today, martin Scorseasee, Steveinspeilberg ext,) with his masterful works of art. With supream reigningmasterpeices such as his 3 best(my opinion) Frankenstein must beDestroyed (1969), wich is a technical masterpeice, not have i seen afilm that clicks so well, in it's flawless compostion, and pacing, andstory narritive, it's whole cynical veiw of the world,. This with outdoubt is Fisher's most cynical piece. The Devil Rides out (1968), isanother prime example as being fisher at his very best, exploringhuman realationships, and his facination for the romantism that he hasbrought to most his best and personal works. And finnaly The Horror ofDracula (1958), often considered Hammer's crown jewl of horror. Thisperfectly captures the essence of the stoker novel, and his take onvictorian society is superaltive, and not to mention the execution inevery scene and shot is absolultely flawless (possiably D.P. JackAsher's best work). So if u have a great admiration for Terencefisher and his films this is the book to get, trust me, even if u knowquit a bit, there is with out a doubt that u will indeed learn moreabout One of the greatest British-film directors who ever made theirmark on the silver screen. "Long live the King!"-
5 of 5 people found the following review helpful.
Dixon's Book Pays Tribute to a Great Director
By Nicholas J. Faust
It's sad to think that there's only one book in English that deals with the life and work of Terence Fisher. Working within a limited form and exploitation industry, the best of Fisher's films transend craft. There is poetry in the economic way this director manipulates the conventions we take for granted in Horror Movies. Mr. Dixon's book takes Fisher's sense of craft and style seriously. He shows us that Fisher became one of the major artist working in the British film industry. Other well known directors became famous directing big budget projects. But what would a David Lean do if he had to work with the tight budgets, short shooting schedules, and often on the same sets from film to film the way Terence Fisher had to work? One of the most remarkable things about Fisher is that he took what others would consider limitations and created enduring works of art; visually stunning, compelling and poetic works of art. Dixon's book validates this fact. I learned a great deal from it and enjoyed the insider's view it communicates. Thank-you, Mr. Dixon.
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