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Martin Heidegger and Karl Marx remain two of the most influential thinkers in philosophy, in political science and other social sciences, and in the humanities. Yet there has never been a full-length study in English of the relationship between their ideas, and there has only been one study in German (from 1966). A Productive Dialogue fills this gap and contradicts the widely held assumption that Heidegger had no significant engagement with Marx. Hemming focuses on four related areas of inquiry—Heidegger’s reading of Marx; Marx’s relation to G. W. F. Hegel; Heidegger’s disastrous political involvement with National Socialism; and the significance of Hegel, Marx, Heidegger, and Friedrich Nietzsche for the politics of the twentieth and twenty-first centuries. A Productive Dialogue explores the understanding of political processes, systems, and behavior that animates both thinkers.

• Sales Rank: #2861666 in Books
• Published on: 2013-01-31
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 1.00" w x 6.00" l, 1.15 pounds
• Binding: Paperback
• 328 pages

About the Author

Laurence Paul Hemming is a research fellow in the Department of Organisation, Work and Technology of the Lancaster University Management School in the United Kingdom.

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3 of 3 people found the following review helpful.
Another take on the lack of productive open dialog between Marx and Heidegger
By Gerry Stahl
I agree that "Martin Heidegger and Karl Marx remain two of the most influential thinkers in philosophy, in political science and other social sciences, and in the humanities." However, I disagree that "there has never been a full-length study in English of the relationship between their ideas, and there has only been one study in German (from 1966)." A full-length study was published as a dissertation in English in 1975 (based on 3 years of research at the Universities of Heidelberg and Frankfurt (with experts on Heidegger and Marxism) and a doctoral program at Norhtwestern University when it was the only American center of continental philosophy. "Marx and Heidegger" by Gerry Stahl has been available since 2010 on Amazon in paperback and at http://gerrystahl.net/elibrary/marx in free electronic formats (pdf, epub, mobi). It was one of the first sources to reference documents from Heidegger's Nazi involvement -- subsequently much discussed. It cites every mention of Marx in Heidegger's publications and considers the relationship of their philosophies, based on a contemporary interpretation of their core ideas and approaches. It concludes that there should have been more open dialog between the two traditions.

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@ Download Ebook A History of Russian Literature: From Its Beginnings to 1900, by D.S. Mirsky

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Russian literature has always been inseparable from Russian history. D. S. Mirsky constantly keeps in mind the ever-colorful and ever-changing aspects of the one in discussing the other. Sound in judgment, luminescent, and exquisitely written, Mirsky's book is essential reading for anyone interested in one of the world's great literatures. A History of Russian Literature covers the beginning of Russian fiction, the Age of Classicism, the Age of Gogol, and the poets, journalists, novelists, and playwrights of the Age of Realism.

• Sales Rank: #523426 in Books
• Color: Blue
• Brand: Brand: Northwestern University Press
• Published on: 1999-09-15
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x 1.00" w x 5.50" l, 1.07 pounds
• Binding: Paperback
• 401 pages

Features

• Used Book in Good Condition

Review
"[Mirsky's] histories of ltierature ... possess learning, elegance, wit, intellectual gaiety, and an incomparable style and sweep and power of communicating impressions and ideas." --Sir Isaiah Berlin


"Prince Mirsky is both scholar and stylist; his books, therefore, have a double right to live." --Clifton Fadiman

From the Back Cover
"Russian literature has always been inseparably linked to Russian history. D. S. Mirsky, in dealing with this fact, constantly keeps in mind the ever-colorful and ever-changing aspects of the one in discussing the other. Mirsky's book is essential reading for anyone interested in Russian literature. A History of Russian Literature: From its Beginnings to 1900 contains all of the author's History of Russian Literature and the first two chapters of his Contemporary Russian Literature."--BOOK JACKET.

About the Author
D.S. Mirsky is the English pen name of Dmitry Petrovich Svyatopolk-Mirsky, often known as Prince Mirsky  (1890 – 1939), a Russian political and literary historian who promoted the knowledge and translations of Russian literature in Britain and of English literature in the Soviet Union.

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16 of 17 people found the following review helpful.
A Classic History of Classic Literature
By David Scott Goen
A compilation of Mirsky's "A History of Russian Literature from the Earliest Times to the Death of Dostoyevsky" combined with the first two chapters of his "Contemporary Russian Literature, 1881-1925." Mirsky was, indeed, a contemporary historian of some of the greatest writers of fiction. Tolstoy, Doestoyevsky, Gogol, Chekhov and Turgenev are explored within the historical and physical framework in which they lived.
This books is a classic exploration of Russian Literature that has had a great deal of impact on the teaching and understanding of Russian Literature. For example, the leading translators of Russian Literature, Pevear and Volokhonsky, make use of Mirsky's history. Their translation of Chekhov stories even recommends Mirsky's section on Checkhov. Their recommendation is, of course, of much greater import than mine.
Mirsky created a classic historical work of literature. It is one of the guides you need to understand some of the greatest literature of all time.

13 of 15 people found the following review helpful.
A classic
By Kabanowa
Prince Mirsky's good old book has in fact not been excelled by any other work concerning Russian literature from its beginnings to 1900. It is packed with information, and still very comprehensive and intriguing indeed in its analyses and anecdotes.
It also provides some entertaining lingual gems - the writer Derzhavin's prose, for example, is by Mirsky characterised as 'virile', and his philosophy as 'manfully thankful for the joys of ephemeral life', while the influent literary criticist Belinsky's style is condemned as 'execrable lingo'.
Anyone interested in Russian literature should read this book. As a reference book it serves excellently.

4 of 6 people found the following review helpful.
Amazing
By Mary E. Sibley
The literature of Old Russia includes THE CAMPAIGN OF IGOR, a purely literary work using the methods of oral poetry. It is cast in the Russo-Slavonic literary language of the twelfth century. Avvakum, a schismatic of the Russian Orthodox Church, circa 1666-67, (burned at the stake in 1682), was the first person to use colloquial Russian for a literary purpose. After 1569 White Russia, Galicia, and Ukraine came under Polish rule. Original novel-writing began in the time of Peter during the first half of the eighteenth century. No novel was printed in Russia before 1750. The first original novel was published in 1763. In that era the new French-bred literature was confined to the upper classes. French classical standards were adopted. The leaders were four men, Kantemir, Trediakovsky, Lomonosov, and Sumarokov. The highest form of literary art was poetry, the epic. Odes were important, also. The greatest poet of the century was Derzhavin. His work was lyric. He conveyed light and color. The first Russian drama, Sumarokov's tragedy KHOREV, was performed in front of Empress Elizabeth in 1749. The most remarkable playwright was Fonvizin. Tragedy relied on French models and was stilted. Comedy was more inventive.

Prose writing was promoted by the Empress Catherine. Satirical journals were founded. The political shift to reaction following the French Revolution resulted in the closing of a journal publishing serious social satire on the subject of serfdom. The editor, Novikov, proceeded to start a publishing company, 1775-1789, and formed the Russian reading public. Karamzin reformed Russian literary language. It was Europeanized and became the language of Pushkin. Karamzin wrote THE HISTORY OF THE RUSSIAN STATE, 1818. The most famous of his stories of the Russian monarchs is that of Boris Godunov. The style of the history is rhetorical. At the end of the eighteenth and beginning of the nineteenth century fable writing became a craze. Krylov's FABLES are contained in nine volumes. Narezhny's novel, A RUSSIAN GIL BLAS, appeared in 1814. After 1820 poetry monopolized the market. Byron was an influence. The repression of the Decembrist Revolt was a blow to the intellectual elite of the gentry. After 1829 novels in the manner of Scott became popular.

In 1837 Pushkin died in a duel. In 1824 he had been expelled from the Civil Service and made to live on his mother's estate. Forced seclusion made him productive. Later he was granted a special pardon. He fell in love with Natalie Goncharova and married in 1831. The couple ended up in St. Petersburg attending court balls. The author seesaws between THE STONE GUEST and THE BRONZE HORSEMAN as being Pushkin's supreme achievement. At the time of Pushkin's death, Gogol was more esteemed. Dostoyevsky and Turgenev were among those artists laying the foundation for the Pushkin cult, (as the artist terms it). One of the chapters in the book is entitled, 'The Age of Gogol'. The recognition of Tyutchev as a great poet was belated. Lermontov's poetic fame burst on the scene with a poem on the death of Pushkin. (In 1841 he was killed in a duel.) His THE DEMON was a source of inspiration to the modern poets, Blok and Pasternak. A HERO OF OUR TIMES is of greater importance than his poetry. Turgenev began his career writing verse, 1838 to 1845. His poetry is not comparable to his stories. In drama of the thirties and forties the comedies of Gogol stood alone. The summit of his career was his novel, DEAD SOULS. Gogol's imaginative work is marellous, unexpected. His prose is intense, saturated; he has verbal expressiveness.

The realistic novel dominated Russian literature from 1845 to 1905. In 1844-45 Dostoyevsky wrote POOR FOLK. Good notices and interest in it were received from Belinsky and Nekrasov. In 1849 Dostoyevsky was taken off to Siberia. He evolved a new style by the fusion of extremes. In 1859 Goncharov published OBLOMOV. Turgenev's mother, a heiress, was a domestic tyrant. In 1845 he fell out with his mother. She disapproved of his infatuation with Pauline Viardot. A SPORTSMAN'S SKETCHES appeared in book form in 1852. After FATHERS AND SONS, 1862, he abandoned Russia. SMOKE and VIRGIN SOIL emphasized his estrangement from living Russia. Of the poets, Fet was the great love poet and Nekrasov a great satirist.

Tolstoy was always a class-conscious nobleman. After the Crimean war he mixed with the literary world. He had an insatiable quest for moral stability. The married happiness of Tolstoy, taking place during the first fifteen years of marriage, is expressed in WAR AND PEACE. Writing was a struggle to master reality. WAR AND PEACE and ANNA KARENINA have the appearance of real life. Dostoyevsky brought out CRIME AND PUNISHMENT in 1866 and THE GAMBLER in 1867. THE POSSESSED, 1873, was a success. The high water mark for Dostoyevsky was THE BROTHERS KARAMAZOV, 1880. Tolstoy was a puritan and Dostoyevsky a symbolist. Leontiev's work, ANALYSIS, STYLE, AND ATMOSPHERE IN THE NOVELS OF COUNT L.N. TOLSTOY is a masterpiece of Russian criticism. Chekhov's first play, IVANOV, was produced in 1887. In 1895 he wrote THE SEAGULL. That play along with UNCLE VANYA, THE THREE SISTERS, and THE CHERRY ORCHARD was successfully produced by the Art Theater in Moscow, Stanislavsky. The author finds the stories 'In the Ravine' and 'My Life' the masterpieces of Chekhov's body of work.

The book is both charming and comprehensive. I have barely touched this book's expansive and learned treatment of its subject matter.

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This revised and updated edition provides children's and young adult librarians, teachers, literature classes, and library school classes with an authoritative history and analysis of the best British and American children's literature through 1994, with a new 2003 postscript including such recent phenomenons as J.K.Rowling and Philip Pullman. Written for Children traces the development of children's literature from its origins through the beginnings of the multimedia revolution. In effortless and entertaining style, Townsend, a world-renowned authority in the field, examines the changing attitudes toward children and their literature and analyzes the various strands that make up this important field. While examining many well-known American classics, Townsend also looks at British works that American audiences may have overlooked. With illustrations and bibliography.

• Sales Rank: #3589852 in Books
• Brand: Brand: Scarecrow Press
• Published on: 1996-05-01
• Original language: English
• Number of items: 1
• Dimensions: 9.01" h x 1.32" w x 5.83" l, 1.45 pounds
• Binding: Hardcover
• 400 pages

Features

• Used Book in Good Condition

Review
...an impressive and comprehensive overview of literature for children and YAs. (Voya)

[Townsend's]... critical voice is unpretentious and down-to-earth, insightful and often witty. The result is a user-friendly and straightforward guide to significant authors, illustrators and titles from medieval England to the present day. (Emergency Librarian)

...examines the changing attitudes of children toward literature and also discusses the classics. The history of children's literature is traced from its origins to the multimedia era. (School Library Media Quarterly)

[Townsend's]... critical voice is unpretentious and down-to-earth, insightful and often witty. The result is a user-friendly and straightforward guide to significant authors, illustrators and titles from medieval England to the present day..... (Emergency Librarian)

About the Author
John Rowe Townsend has published more than twenty books for children and young people and has lectured extensively on children's literature in the United States, Britain, Australia, and Japan.

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A joint project of the National Education Association and the National Writers Union. Includes index.

• Sales Rank: #7933569 in Books
• Published on: 1992-01
• Original language: English
• Number of items: 1
• Dimensions: 9.25" h x 6.25" w x .50" l,
• Binding: Paperback
• 144 pages

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• Sales Rank: #10000249 in Books
• Published on: 1986-12
• Original language: English
• Dimensions: 9.00" h x 6.25" w x .25" l,
• Binding: Paperback
• 112 pages

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• Sales Rank: #11390861 in Books
• Published on: 1993-06-28
• Format: Deluxe Edition
• Original language: English
• Number of items: 2
• Binding: Hardcover
• 1216 pages

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• Sales Rank: #11427407 in Books
• Published on: 2003-04-01
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