Senin, 15 Desember 2014

!! Ebook Download NCLC Volume 38 Nineteenth-century Literature Criticism, by Joann Cerrito

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NCLC Volume 38 Nineteenth-century Literature Criticism, by Joann Cerrito

Here is a convenient source of commentary on the careers and works of acclaimed poets, novelists, short story writers, dramatists and philosophers who died between 1800 and 1899. Each volume presents overviews of four to eight authors with chronologically arranged criticism representing the entire range of response to each author. Entries typically include an author portrait, an introduction to the author, a primary bibliography, annotated criticism and an annotated list of further reading sources. Approximately 90-95% of critical essays are full text. Every fourth volume is a Topics volume covering major literary movements, trends and other topics related to nineteenth-century literature. Volumes include author, nationality, topic and title indexes; a cumulative title index to the entire series is published separately.

  • Sales Rank: #6607355 in Books
  • Published on: 1993-02-26
  • Released on: 1993-02-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.26" h x 1.41" w x 8.38" l, 3.33 pounds
  • Binding: Hardcover
  • 448 pages

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! Ebook The Scarlet Ibis, by Susan Hahn

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The Scarlet Ibis, by Susan Hahn

In The Scarlet Ibis, Susan Hahn has created an intricately structured sequence of interlinked poems centered around the single compelling image of the ibis. The resonance of this image grows through each section of the book as Hahn skillfully employs theme and variation, counterpoint and mirroring techniques. The ibis first appears as part of an illusion, the disappearing object in a magician’s trick, which then evokes the greatest disappearing act of all—death—where there are no tricks to bring about a reappearance. The rich complexity multiplies as the second section focuses on a disappearing lady and a dramatic final section brings together the bird and the lady in their common plight—both caged by their mortality, their assigned time and role.  All of the illusions fall away during this brilliant denouement as the two voices share a dialogue on the power of metaphor as the very essence of poetry. bird trick iv
 
It’s all about disappearance.
 
About a bird in a cage
with a mirror, a simple twist
on the handle at the side
that makes it come and go
 
at the magician’s insistence.
 
It’s all about innocence.
It’s all about acceptance.
It’s all about compliance.
It’s all about deference.
It’s all about silence.
 
It’s all about disappearance.

  • Sales Rank: #1156679 in Books
  • Brand: Brand: Northwestern University Press
  • Published on: 2007-03-21
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .40" w x 6.00" l, .32 pounds
  • Binding: Paperback
  • 80 pages
Features
  • Used Book in Good Condition

From Booklist
*Starred Review* Hahn's lustrous and spiky poems radiate from a thematic nucleus in her distinctive collections, a death in Mother in Summer (2002), the body in Self/Pity (2005). In her piquant seventh book, an archly theatrical yet powerfully emotional work in three acts, Hahn's evolution as a playwright is evident. Here Hahn's attunement to the body's mysteries and vulnerabilities, her coy sexiness and sly wit give rise to a complex, imaginative, slightly surreal encounter between a scarlet ibis and a "lady" (such a loaded word). Crescent-billed, its red wings tipped with black, the scarlet ibis comes into focus as a living icon as Hahn considers the bird's links to ancient Egypt and ibis-headed Thoth. The god of writing, science, and magic, it is Thoth who judges the dead. Hahn's mettlesome scarlet ibis is a captive forced to perform tricks, as is the lady, a magician's assistant. As Hahn takes measure of the implications of servitude and invisibility, it is clear that both bird and lady (she has roots in Dachau) are facing extinction. Hahn's quicksilver poem-play is brilliant in its misdirection, camouflaging with plumage and word magic great depths of feeling and insight. Donna Seaman
Copyright © American Library Association. All rights reserved

About the Author
Susan Hahn is a poet, playwright, and the editor of TriQuarterly magazine. She is the author of six books of poetry and the recipient of many awards for her poems, including a 2003 Guggenheim Fellowship. The Chicago Tribune named her fourth book, Holiday (Chicago, 2001), and her fifth book, Mother in Summer (Northwestern, 2002), among the Best Books of 2002. Her first play, Golf, was produced in 2005 by Circle Theater in Forest Park, Illinois. 

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0 of 1 people found the following review helpful.
Five Stars
By Brian
perfect condition

1 of 1 people found the following review helpful.
Poet Genius
By Bartholomew Roberts
This book is lovely and the poems are beautiful. This is the work of a modern genius. This was my first reading of this artist, and I am hungry for more.

0 of 0 people found the following review helpful.
Wrong book but a good read
By Tony & Janie Atkins
The book was returned because, it was the wrong one, not the one I was looking for. In returning the book they told me to keep it, what a great surprise ended up reading it and being a good book of poems.

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Rabu, 10 Desember 2014

!! Ebook The Psychoanalytic Movement: The Cunning of Unreason (Rethinking Theory), by Ernest Gellner

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The Psychoanalytic Movement: The Cunning of Unreason (Rethinking Theory), by Ernest Gellner

How did psychoanalysis become so accepted by the public? This provocative book reconstructs the system of ideas upon which the theory and practice of psychoanalysis rests, describing a modern culture that has created a psychic or a spiritual void that psychoanalysis seems custom-made to fill. Gellner approaches the question as a sociologist and attains a broad perspective on the ideas of the psychoanalytic movement as a system of cultural beliefs.

  • Sales Rank: #2275286 in Books
  • Published on: 1996-08-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .70" w x 6.00" l, .93 pounds
  • Binding: Paperback
  • 241 pages

Review
‘The Psychoanalytic Movement was recognized as a classic upon its publication. José Brunner's new introduction places the argument within the context of “the Freud wars”, making it clear that the book was as concerned to explain the fabulous success of psychoanalysis as to debunk its pretensions. This may be Gellner's greatest book, containing as it does a general view of the history of philosophy and the character of modernity.’ John A. Hall, McGill University


Previous praise for The Psychoanalytic Movement:


‘A marvel… This is a brilliantly written book, every page sparkling with intelligence, style and substance. Gellner provides a welcome and literate overview of the latest philosophic controversy about the logical status of psychoanalytic propositions. Its every page instructs and enlivens and represents a tribute to humane intelligence.’ New Statesman


‘In a stylish, witty and deceptively readable book, Gellner exposes the secular religious nature of the psychoanalytic enterprise. He admits that a compelling, charismatic belief must possess more than merely the promise of succour in a plague and links with the background convictions of the age.’ Nature

‘This is the first determined effort to account for a very odd historical and sociological phenomenon in realistic and meaningful terms…and it makes very good sense. Gellner is incisive, agreeable to read and often witty.’ Institute of Psychiatry Journal

From the Back Cover
How did the language of psychoanalysis become the dominant idiom in which the middle classes of the industrialized West speak about their emotions? Ernest Gellner offers a forceful and complex answer to this intriguing question in The Psychoanalytic Movement. This landmark study argues that although psychoanalysis offers an incisive picture of human nature, it provides untestable operational definitions and makes unsubstantiated claims concerning its therapeutic efficacy. In a new foreword José Brunner expands on the central argument of The Psychoanalytic Movement. Placing Gellner's work in the context of contemporary hostile critiques of Freud, Brunner argues that these two blatantly different thinkers might also be seen as kindred spirits.

About the Author
His first book, Words and Things (1958) prompted a leader in The Times and a month-long correspondence on its letters page over his attack on linguistic philosophy. As the Professor of Philosophy, Logic and Scientific Method at the London School of Economics for 22 years, the William Wyse Professor of Social Anthropology at the University of Cambridge for eight, and finally as head of the new Centre for the Study of Nationalism in Prague, Gellner fought all his life—in his writing, his teaching, and through his political activism—against what he saw as closed systems of thought, particularly communism, psychoanalysis, relativism, and the dictatorship of the free market.

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0 of 1 people found the following review helpful.
A Necessary Book
By Gypsy Samuels
Gellner was born in Paris in 1925, and was educated in Prague and England. Among other positions he held, he was professor of philosophy and sociology at the London School of Economics from 1949 to 1984. This kind of background is very important to understanding and questioning Freud's basic ideas. Most of the beginning texts books on "Western Psychology" today talk about Freud as if he was the father of the "unconscious" and an original genius who "discovered" and created, almost single-handily, the beginnings of what we know today as the "Science of Psychology."
This myth is perpetuated hundreds of times over in both college text books and, especially, in the media. Well, Gellner lived all during the time that Freud was creating his own mythology and writing about successful therapeutic encounters with patients that never happened, or at least should be questioned as driven by a man who was a creator of his own novel. Freud reeks of subjectivity and a mania to be someone who was only one of the players of the time.
That Gellner was trained in philosophy and sociology is very important to understanding Freud. Gellner is not repeating the standard story about Freud because he had no interest or involvement in the American text book industry or American academic world of book publishing, among other realities. As I noticed immediately, he was only interested in investigating the main ideas behind the psychoanalytic movement as any good philosopher does--just for themselves and in the context of the idea's life. This book is not a "great read" or in any way targeted to the incoming freshman of American universities. Gellner digs, questions, and relentlessly questions the basic ideas of the psychoanalytic movement. So, if you think that "everyone knows" that we all have "unconscious" minds or areas of thought, reason and many, many buried past events that drive our present interactions and emotions and human possibilities that must be revealed in order for us to be successful, happy or capable of achieving our goals in life--then do not read this book! You start to find out that Freud lived in a rather bloody moment in history and needed money to feed his family and created a novel to make all that happen. You will not find all of that in Gellner's book. But, you will find "...what Freud in effect did was to supplement and fortify a naïve mentalist model of conscious human behavior, by endowing the conscious mind with a kind of strange doppelganger who, however, all in all, rather resembled his partner." (p.86) Where is that criticism in Psychology 101? And, of course, in all the following notations of Freud being the person who "discovered the unconscious." Or, maybe he "created it?" After all, no one in the history of ideas, philosophy, meditation, spiritual quests or other self human examination processes, in any time before Freud, questioned how the mind works in any form of a "scientific" examination as objective as Freud--right? Good Hunting.

22 of 27 people found the following review helpful.
The future of an illusion
By David H Miller
In this book, Ernest Gellner uses the psychoanalytic movement as a "case study" to explore the general human tendency to create delusional ideological systems which serve various political, social, and psychological needs. He also focuses in on the specific structural features of modern life that made psychoanalysis an especially successful ideology.

As Gellner sums up in his final chapter, "In a sense, the present book is more interested in our Zeitgeist than in psychoanalysis. The crucial strategic position occupied by Freudianism in the social and intellectual history of mankind, makes it possible for us to learn a vast amount from it about, on the one hand, the general anatomy of belief systems and, on the other, the special conditions prevalent in our age."

In his first two chapters, Gellner focuses in on what might be called the modern predicament. Before the rise of natural science and philosophical empiricism, it was easy to explain the mixture of good and evil, the sheer perversity, embodied in human beings. Humans were, quite literally, halfway between beasts and angels.

The rise of science and modern philosophy invalidated that belief. Taking David Hume as a prime example, Gellner shows that the scientific, empiricist thought of the Enlightenment abandoned the angel/beast dichotomy. The Enlightenment theorists naturalized man: the model of man they ended up with, which Gellner dubs the "Bundleman," was a random mixture of self-interested desires and needs which were easily satisfied by a conservatively cautious policy of maximizing pleasure and minimizing pain.

Real human beings, of course, act much more like a mixture of angel and beast than the cautiously and rationally selfish "Bundleman" of the Enlightenment.

Nietzsche was, Gellner claims, the first serious post-Enlightenment thinker to fully realize this fact, and the realization finally drove poor Nietzsche insane.

Freud's genius was to take the Nietzschean insight and domesticate it, thereby turning it into the basis of a very successful, very lucrative pseudo-scientific cult - psychoanalysis.

Freud's task was made easier by certain features of the modern world. The modern world exhibits deep reverence for applied science, especially medicine. In modern industrial societies, technology has eradicated most traditional physical threats (starvation, plague, wild animals, etc.). In our society, the pressing threats perceived by most people lie rather in the increasing complexity of, and importance placed upon, human relationships. It is just in this area of interpersonal relationships where psychoanalysis offered help.

Most of the book explores the tricks and turns by which psychoanalysis maintained its authority. Nowadays, now that there is hardly an intelligent person left who is a hard-core believer in the Freudian faith, is this of any more than historical interest?

Yes.

While Freud may finally be buried, his residue endures -- as "therapy," "couselling," "adjustment," etc. -- and continues to muddle our thinking process and our ability to make moral evaluations. As Gellner rhetorically asks, concerning the Holy Grail of "adjustment," "[I]s adaptation, adjustment to any regime, including a tyrannical one, a sign of mental health?" The Soviets, hardly orthodox Freudians, famously answered "Yes!"

But even more important, as Gellner emphasizes, the fraud of Freudianism is a typical example of the functioning of human society in general:

"Societies possess techniques for rendering ideas socially constitutive, and these techniques tend to share certain formal features. It is important to remember that this is the normal condition of mankind: most ideas of most men at most times are beyond the reach of questioning... An idea does not have simply a cognitive role...it is at the same time linked to a set of personal relations, to loyalties, hierarchies, sentiments, hopes and fears. To shake the idea would be to disturb all that. Most men are neither willing nor able to do that."

To put it more bluntly, the structure of all hitherto existing human societies is grounded in socially-imposed, emotionally-compelling lies.

Did Freud and his colleagues engage in bizarre intellectual contortions to prevent their ideas from being questioned or subjected to criticism?

Yes... but have you ever asked a liberal why we must slavishly accede to the results of a democratic election? The answer is that if you choose to vote, you are obliged to accept the results, and, if you don't vote, you have no right to complain. Is Freudian reasoning any more circular than that?

Did Freud and his colleagues frantically avoid confronting their theories with empirical reality? (Freud once declared that "I cannot advise too strongly against" seeking out empirical evidence to check the conclusions of a psychoanalytic diagnosis because the result would be that "confidence in the analysis is shattered and a court of appeal is set up over it.")

Yes... but have you ever talked with a conservative about the actual historical process by which the US Constitution was "ratified"?

Do Freudians apply different standards to themselves than to all other human beings, accusing critics and skeptics of being mentally and morally deranged?

Yes... but have you ever tried asking a Christian why, since they preach that Jesus taught the pacifist doctrines of "Resist not evil!" and "Turn the other cheek!", many Christians are among the most violent and militaristic people on the planet?

What then would happen if everyone learned the central lesson of Gellner's book -- that deception, dishonesty, and manipulation are at the heart not only of the psychoanalytic movement but of nearly all forms of social authority?

If people simply cease believing in authority, them, like Tinkerbell, authority simply dies.

If the world were free of lies, deception, and manipulation, then the authority of clergymen and governments, of judges, schoolteachers, psychotherapists, professors, and policemen, would all simply disappear.

Garbagemen can still collect garbage, farmers can still farm, and deliverymen can still deliver even if no one "believes' in them. But if no one believes in clergymen, or psychoanalysts, or Presidents, then there would no longer be clergymen, psychoanalysts, or Presidents. Like Tinkerbell, they would simply fade away.

And, perhaps, that would be a very good thing indeed.

11 of 15 people found the following review helpful.
UNATO
By Luc REYNAERT
Ernest Gellner stigmatizes Freudianism as a secular religion, where the Unconscious (a new version of the Original Sin) is treated as a Revelation, with a sharp distinction between the sacred (those under analysis) and the profane, between the good (the true believers) and the bad, and where reason must be suspended.

Freud's concepts are untestable (the experience - transfer - between analysand and analyst is unique) and nebulous (reality can always be made conform to the system).

His basic technique is free association which should lead to the uncovering of repressed mental contents and correspondent therapeutic consequences for the patient.

The only testable component of the theory are its therapeutic claims, but the effectiveness of the therapy is extremely dubious and unproven.

For the author, Freudianism is a self-perpetuating, falsification-evading, closed system, which controls its own database. In one word, it is a pseudo-science.

Its enormous vested interests (also financial) are cultivated and protected by a guild: UNATO (United Nations Analysis and Therapy Organization).

This brilliantly written, corrosive text contains excellent short evaluations of Nietzsche, Marx, Berkeley, Plato and Stoicism.

A must read for all guild-members and outsiders.

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Sabtu, 06 Desember 2014

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Blacks in Black and White, by Henry T. Sampson

Since its publication in 1977 to acclaim as a pioneering work, this has remained the first and only book to detail all aspects of a unique era in the history of motion pictures―the only time in the U.S. when films featuring an all-Black cast, produced and directed by Blacks, were shown primarily to Black audiences, in theatres many of which were owned and managed by Blacks. Sampson traces the history of the Black film industry from its beginnings around 1910 to its demise in 1950, chronicling the activities of pioneer Black filmmakers and performers who have been virtually ignored by film historians.

Significantly more information on Oscar Micheaux and other Black producers of the period and descriptions of many more Black films are included in the second edition. A new chapter discusses the first black images in American film as portrayed by Whites in blackface. The list of film titles from both the sound and the silent periods, including members of the cast, has been greatly expanded. With an extensive list of Black musical "soundies;" full index; and many new and rare photographs.

  • Sales Rank: #399914 in Books
  • Brand: Brand: Scarecrow Press
  • Published on: 1995-04-19
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.76" h x 1.57" w x 5.78" l, 2.18 pounds
  • Binding: Hardcover
  • 749 pages
Features
  • Used Book in Good Condition

Review
The first edition of this book received laudatory reviews. This (more than) doubly expanded version deserves additional accolades. Sampson has scoured the literature...and added substantial new information. (American Reference Books Annual)

...immensely valuable... (Focus On Film)

...an invaluable historical reference. (Films In Review)

This is an important book on an important subject. (B'nai B'rith Magazine)

This revised and expanded second edition is received with approbation. Highly recommended. (Classic Images)

Many full-page and half-page photographs complement the text, while a thorough index eases access. (Popular Culture in Libraries)

...an absolute treasure trove of information on early Black films, filmmakers, and performers. All in all this is a standard setter for Black film reference books and an essential item for any university or large public library which supports research in African American performance, cultural history, or film studies. (Screening Noir)

Anyone even remotely interested in the history of African Americans in film must have access to this book. Every conscientious library will want to own this invaluable sourcebook. (CHOICE)

About the Author
Henry T. Sampson has also written Blacks in Blackface: A Source Book on Early Black Musical Shows (Scarecrow, 1980) and The Ghost Walks: A Chronological History of Blacks in Show Business, 1865-1910 (Scarecrow, 1988, selected a Choice Outstanding Academic Book).

Most helpful customer reviews

0 of 0 people found the following review helpful.
Thoroughly Informative
By Clinton F. Byrd
As thorough a chronology as you will find anywhere. Looking to complete my collection of his works. I appreciate the time and efforts put into compiling this information on black in entertainment. A passionate compilation worthy for all to read. Brings new meaning to black entertainment. What a disappointment in today's entertainers when compared to the previous generations. Where has all the talent gone. Today's entertainers lack the talent and depth of those of the past. Truly another "Renaissance" is needed. Thanks Dr. Sampson for bringing us back to reality.

0 of 0 people found the following review helpful.
Awesome Book -- Awesome Curator!
By wcalvin anderson
This is one of the most extraordinary book I have ever read. It has the careful details about a creative and organized business culture that makes one proud to be industrious, independent, black and American.

0 of 0 people found the following review helpful.
Blacks On Film
By Al
Very good information about pioneering Black actors and film--very good for research too. However, several glaring errors of facts about artists and films.

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Kamis, 04 Desember 2014

@ PDF Ebook Jack the Ripper, by Scott Palmer

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Jack the Ripper, by Scott Palmer

Numerous books, films, and articles on this famous case have appeared. No one was ever caught, or at least officially brought to trial, for the crimes.

Jack the Ripper: A Reference Guide is the only book to list all the real-life people (victims, suspects, witnesses, police, doctors, etc.) in categorical, easy-to-view style without adding irrelevant or extraneous information. There is no supposition or guesswork. Also included is an extensive, detailed bibliography that is not otherwise available in print.

This book is a valuable reference guide which will be an extremely useful addition in public libraries, and informative to those whose knowledge and interest in the subject ranges from the casual to the most experienced and dedicated.

  • Sales Rank: #7850585 in Books
  • Published on: 1995-08-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.76" h x .68" w x 5.68" l, .66 pounds
  • Binding: Hardcover
  • 160 pages

From Library Journal
Palmer states up front that this book "is primarily concerned with listing the known facts" and "not designed to draw conclusions as to his [Jack's] identity." The author presents the information in eight short, succinct chapters identifying the victims, witnesses, suspects, police, etc. Palmer's most daring claim is that according to his own past experiences with autopsies, the killer absolutely possessed some anatomical knowledge?a major point of debate among "Ripperologists." He also utilizes his firsthand knowledge as a Freemason to correct errors made by previous investigators regarding Masonic rituals. Beyond that, however, Palmer breaks no new ground. Although the book does fulfill its intended purpose, many other available titles, such as Paul Begg's Jack the Ripper: The Uncensored Facts (LJ 12/15/89), offer more for a lower price. The lack of photographs is also lamentable. Not recommended.?Michael Rogers, "Library Journal"
Copyright 1995 Reed Business Information, Inc.

Review
The research efforts of Scott Palmer have produced a very handy reference guide on the Ripper. (Ripperologist)

Lists of Witnesses and Police are thorough... Another strength of this book is its bibliography. Palmer's Reference Guide is worth consulting. (Whitechapel Journal)

Of course, looking at this book and after reading it, this is a book for Jack The Ripper-fans, but I am sure it is interesting reading also for some people who just have read about or heard about this famous case... (Iwan Morelius)

...a particularly useful arrangement [of entries]...recommended... (Popular Culture in Libraries)

Another strength of this book is it bibliography. Palmer has a refreshing tendency to judge witnesses for himself,...is worth consulting. (Dr. Frederick Walker)

About the Author
Scott Palmer is a freelance writer who specializes in the cinema in Great Britain.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Very detailed and thorough
By Amazon Customer
I was curious to know more about Jack the Ripper, and I found this book to be very helpful in an introduction to the case. It is very detailed, factual, and through. If you want a story about Jack the Ripper, this is not the book for you; however, if you want to know the facts I truly reccomend this book.

0 of 0 people found the following review helpful.
A good book for brief facts about people and places involved.
By Faye
The book has a nice outline of people and events surrounding the famous crime. I think it would be a good reference book.

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Rabu, 03 Desember 2014

** Free PDF Teaching the Gifted and Talented in the Social Studies Classroom (NEA's teaching the gifted and talented in the content areas series)By

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Book by Plowman, Paul D.

  • Sales Rank: #5940316 in Books
  • Brand: Brand: Natl Education Assn
  • Published on: 1980-11
  • Original language: English
  • Number of items: 2
  • Binding: Paperback
  • 55 pages
Features
  • Used Book in Good Condition

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Minggu, 30 November 2014

~~ Ebook Download Dictionary of Literary Biography: Afro-American Writers after 1955, by Thadious Davis

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Since the mid-1950s, drama has emerged as a major genre for African-Americans writers. The flood of creative outpourings in the 1960s that led to the black arts movement brought in its wake a new generation of dramatists who provided some of the most influential voices in American literature. The early 1960s introduced new dramatic forms to larger audiences. Ossie Davis' Purlie Victorious and Adrienne Kennedy's Funnyhouse of a Negro are examples of productions that carried messages of a reality rarely seen outside African-American communities. Just as African-American dramatists were interested in creating a theater in their own image, prose writers were interested in literary creations relevant to African-Americans. During this time, autobiography and biography became increasingly important as modes for expressing this history. 35 entries include: Maya Angelou, Amiri Baraka, Alice Childress, Ossie Davis, Alex Haley, Lorraine Hansberry, Adrienne Kennedy, Ron Milner, Larry Neal and Samm-Art Williams.

  • Sales Rank: #6587936 in Books
  • Brand: Brand: Gale
  • Published on: 1985-04-26
  • Released on: 1985-04-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.30" h x .99" w x 8.40" l, 2.42 pounds
  • Binding: Hardcover
  • 376 pages
Features
  • Used Book in Good Condition

About the Author
Trudier Harris (Ph.D. University of North Carolina at Chapel Hill) is J. Carlyle Sitterson Professor of English at the University of North Carolina, Chapel Hill. She is the author of five books, most recently The Power of the Porch: The Storyteller s Craft in Zora Neale Hurston, Gloria Naylor, and Randall Kenan, and a co-editor of The Oxford Companion to Women s Writing in the United States and The Oxford Companion to African American Literature.

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