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City Dog: Essays, by W. S. Di Piero
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When a self-proclaimed "lazy scholar" embarks on a trip through his life's influences--as diverse as girl-group doo-wop, Yeats, and Van Gogh--readers are in for an illuminating ride. This collection of essays from cultural critic Di Piero veers from his early years as the son of immigrants in Philadelphia to his working life in art, film, music, and poetry. Along with a few choice essays reprinted from out-of-print collections, Di Piero's new work shows him to be insightful about himself and his work despite his protestations against the "boosterism" of autobiography. Through the lens of his sharp artistic analysis, readers see his story--an immigrant story filled with the music and mystery of a multilingual family, the men of his neighborhood wearing so many hats as they worked--as the auspicious beginning for his life of observation and revelation. His prose sings along, tripping across slang, poetry, and painters with the same precision that allows him to nearly dance about architecture. Though Di Piero would claim that his life's path "lurches and swerves," his essays prove that he has wandered expansively and with purpose--a city dog trotting across continents, along pages, and through galleries.
- Sales Rank: #1490747 in Books
- Brand: Brand: Northwestern University Press
- Published on: 2009-02-16
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .40" w x 6.00" l, .62 pounds
- Binding: Paperback
- 208 pages
- Used Book in Good Condition
From Publishers Weekly
A poet, translator, art reviewer, essayist and Stanford University professor, Di Piero clearly has a studied understanding of creative expression and its analysis, though in this new collection of essays it's applied to a too-wide range of ideas and phenomena. In the most compelling entry, "Pocketbook and Sauerkraut," Di Piero recalls his coming of age in a working classSouth Philadelphia neighborhood and then in the Communist-leaning Italy of the early 1970s, spring-boarding into a discussion of Marxian hypocrisy, Yeats, Keats and Tennyson on the way to a surprisingly coherent breakdown of Di Piero's aesthetic and political beliefs. Unfortunately, Di Piero can get lost in pedantic vagaries ("my symptoms were those of disabling clinical depression, but no etiology can really accommodate the dimesnions of the failure of hope."), andhis self-conscious tics-reflexively flashing his proletariat credentials ("I was reading my Yeats while working long summer hours loading shipping crates...at a Ford Motor Company depot"); compulsively name-checking as many people, artistic movements and philosophies as possible; and a serious lack of focus-that overwhelm otherwise interesting personal narratives and insightful commentary on literature, art and sociology.
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Review
"W. S. Di Piero is probably the most consistently compelling and idiosyncratic prose writer among contemporary American poets."
—Poetry
"W. S. Di Piero is one of the most bracing critical intelligences now at work in our national scene of writing."
—Boston Book Review
"Mallarme said the poet's job is to purify the language of the tribe. W. S. Di Piero does just that, mainly by aligning his rich, working class memroies with a larger world of art and politics. He says that the best criticsm is written by someone who hears singing and sets out simply 'to absorb and carry on that songfulness.' This is W. S. Di Piero himself does superbly."
—Library Journal
About the Author
W. S. Di Piero is a professor of English and creative writing at Stanford University. His books include Out of Eden, Shooting the Works, and the poetry collections Brother Fire, Shadows Burning, and Skirts and Slacks. Bookforum, the New Yorker, the New York Times Book Review, and Poetry have all featured his work. A regular contributor to Threepenny Review, he also writes a regular column on the visual arts for the San Diego Reader. He lives in San Francisco, California.
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