Rabu, 14 Mei 2014

# Ebook Historical Dictionary of the Orthodox Church, by Michael Prokurat, Michael D. Peterson, Alexander Golitzin

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Of the three major branches of Christianity, Orthodoxy is the least known and most misunderstood. The Historical Dictionary of the Orthodox Church provides students, researchers, and specialists with a desk encyclopedia of the theology and theologians, saints, sinners, places and events of the Eastern Church. Two millennia of the religion are surveyed in over five hundred concise entries, concentrating primarily on the last 150 years. Includes an overview of the early Church through the Byzantine and Russian Empires, into the present multinational Orthodox presence in the ecumenical movement. Many of the general entries cannot be found elsewhere in English, and the comprehensive compilation of biographies of nineteenth- and twentieth-century Orthodox theologians (American, Russian, Greek, and many other nationalities) is published here for the first time. Includes a detailed 4000-year chronology, illustrations, extensive bibliography, and an appendix listing the current canonical patriarchs and autocephalous churches.

  • Sales Rank: #3772216 in Books
  • Brand: Brand: Scarecrow Press
  • Published on: 1996-09-05
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.96" h x 1.46" w x 5.84" l, 1.50 pounds
  • Binding: Hardcover
  • 464 pages
Features
  • Used Book in Good Condition

Review
Golitzin and Prokurat, the two authors of this much needed dictionary, are both respected scholars among Orthodox and non-Orthodox. This dictionary more than adequately demonstrates their scholarly abilities...a remarkable collection... (Church History)

Prokurat and Peterson have packed a great deal of informative, clear, and useful information into this volume. The focus on Orthodoxy worldwide and the soundness of the scholarship make this an especially useful contribution. (CHOICE)

Accessible...this volume will be a useful reference for both Orthodox and non-Orthodox readers. (Christianity Today)

...well worth the investment... (The Orthodox Church)

...well-written articles...the dictionary is recommended for all religious libraries. (American Reference Books Annual)

...provides...useful information which may be difficult to locate elsewhere. (Journal Of Religious History)

...entirely welcome reference work on the Orthodox tradition...meets a long-felt need...an excellent bibliography...both beginning and more advanced students will consult this bibliography to great advantage...provides concise, accurate, and up-to-date information on a wide range of subjects... (Catholic Historical Review)

...extraordinary in both its scope and its depth...this work clearly outshines its predecessors...while the uniqueness of the Orthodox worldview and way of life is consistently stressed by the authors, they situate Orthodoxy in a much larger religious context...no less impressive than the biographical and geographical entries are those on theological topics...traditional theological categories are treated with conciseness and clarity, on the one hand, and breadth and nuance on the other...an enormously complex topic is made manageable through an insightful application of conceptual framework...a timely publication, and, by virtue of its superb quality, a contribution of enormous importance. (Critical Review of Books on Religion)

The reader who expects dictionaries to be dry and impersonal will find the present volume a pleasant surprise. While scrupulous in their presentation of the facts, the compilers do not necessarily hide the fact that they have opinions...provides a wealth of information on theology and liturgy, as well as history, church life today and prominent personalities past and present. An extensive and valuable, if dauntingly detailed, bibliography, thematically arranged, covers almost one hundred pages at the end of the book. As a mine of fascinating information, attractively presented, and as a major contribution to greater understanding of the Orthodox Church, this volume is to be warmly welcomed...no serious theological library should be without it. (Sobornost)

A useful annotated bibliography that systematically lists primary and secondary sources. (Religious Studies Review)

About the Author
Michael Prokurat was Assistant Professor of Scripture at the University of St. Thomas School of Theology at St. Mary's Seminary, Houston. Alexander Golitzin is Assistant Professor at the Department of Theology of Marquette University. Michael D. Peterson, the bibliographer, is the Branch Librarian at the San Anselmo collection of the Graduate Theological Union Library, Berkeley.

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17 of 18 people found the following review helpful.
An excellent desk reference for pastors and libraries
By A Customer
Excerpted from THE CRITICAL REVIEW OF BOOKS IN RELIGION 1997, Section entitled: "History of Christianity," pp. 274-7.
Standing in the tradition of such works as George Demetrakopoulos's Dictionary of Orthodox Theology (1964) and Nicon Patrinacos's Dictionary of Greek Orthodoxy (1984), this work clearly outshines its predecessors. Unlike earlier Orthodox dictionaries, which tended to be more catechetical and tendentious in nature, this work is scholarly and painstakingly objective... While the uniqueness of the Orthodox worldview and way of life is consistently stressed by the authors, they situate Orthodoxy in a much larger religious context, which they view sympathetically.
Especially noteworthy among the many strengths of this dictionary are its biographical entries, which highlight saints, prominent hierarchs, and theologians in Orthodox history from the patristic era to the contemporary period, including influential figures in the Greek, Russian, and Antiochian communities in American and European Orthodoxy. Personages from the pre-Chalcedonian traditions, as well as non-Orthodox figures who influenced the development of world Orthodoxy (e.g., Paul Anderson, Derwas Chitty, Anton Grabar, Joan Hussey), receive due attention. Perhaps because of Fr. Golitzin's monastic background, ascetics--even such lesser-known figures as the several monks named Paphnutius--also feature prominently in the biographies. To be sure, Prokurat and Golitzin had to be selective in choosing whom to discuss, but their selectivity was even-handed, revealing no ethnic or political bias.
The same even-handedness is evident in the "geographical entries," i.e., the description of the Orthodox Churches in various territories around the globe. As one would expect, the larger Orthodox bodies (e.g., the Greek, Russian, Romanian, Ukrainian) are treated; but so are lesser- known entities like the Orthodox churches of Georgia, Uganda, Albania, India1 Finland, Cyprus, Poland, and the Czech and Slovak Republics. Even such entries as those on the Unia and the "Synod in Exile," potentially incendiary for commentators from canonical Orthodoxy in America, are handled with great fairness.
No less impressive than the biographical and geographical entries are those on theological topics. Again, the expected, traditional theological categories (God, Trinity, Christology, Holy Spirit, anthropology, cosmology) are treated with conciseness and clarity, on the one hand, and breadth and nuance, on the other. What is more notable, however, is the treatment of theological topics one might not expect to see in such a dictionary. Consider, for example, the entries on "authority" and "imperialism." In the former, for example, the authors systematically discuss authority in terms of five "appeals" made throughout Orthodox history: (1) to the paradigm of the Council of Jerusalem in Acts 15, (2) to ecumenical conciliarity, (3) to holy Tradition, (4) to the ancient patriarchates, and (5) to democracy and egalitarianism. Thus, an enormously complex topic is made manageable through an insightful application of a conceptual framework. Similarly, the article on imperialism succinctly describes Orthodoxy's fascination with empire, tracing its roots to pre-Christian Roman ideals and describing its transformation through the age of the Byzantine oikoumene and its Ottoman aftermath to the period of Muscovite imperial claims. The Orthodox experience is then compared with the relations between Church and Empire in the West. What makes this article particularly perceptive, however, is its concluding observations that imperial competitions have had ecclesiological repercussions, contributing to the rift between Christian East and Christian West and threatening to cause rifts within Orthodoxy itself. These are only two examples of how Prokurat and Golitzin move beyond the well-worn turf of theological discourse narrowly defined to a broader examination of issues which have had profound effects on Orthodox thought.
An area which receives scant attention in this dictionary, even though it is central to Orthodoxy, is liturgy. One might argue, of course, that this is a specifically historical dictionary and, as such, should not include phenomenological descriptions of liturgical symbolism and praxis. However, just as theology can be discussed as a historical phenomenon (as indeed it is throughout this work), so can liturgy. Because liturgical issues have determined so much of the Orthodox experience through the centuries one expects to see more entries concerning them. Those first encountering Orthodoxy will undoubtedly trip upon words like "antiphon," "litany," "typicon," "anaphora," "troparion," and "kontakion," and, unfortunately, this dictionary will not help them to decipher such terms.
The illustrations (all line drawings) provided in this work are quite helpful, especially those associated with the entries on church architecture and the iconostasis, but they are too few and far between...
Any review of this work would be incomplete without mention of its introduction and bibliography. In only ten pages, the former provides a concise yet substantial over- view of Orthodoxy's doctrine, history, administration, worldview, demographics, contemporary achievements, and future challenges. This exceptional essay offers a view from both the inside and the outside; it is punctuated by straightforward observations on, and impartial assessments of, Orthodoxy's strengths and weaknesses. Especially perceptive are the incisive remarks concerning Orthodoxy as a social and cultural force engaged in the complex social dynamics and multicultural sensibilities of a shrinking world. In short, this introduction presents not only the rudiments of the Orthodox heritage but also a balanced evaluation of Orthodoxy's significance on the world scene.
The book's bibliography, compiled by Michael Peterson, Branch Librarian of the Graduate Theological Union Library of Berkeley, is nearly one hundred pages in length, providing an up-to-date, remarkably comprehensive listing of resources on Orthodoxy, primarily in English. These resources range from general and survey works on Orthodoxy to specialized studies on art, architecture, music, asceticism and spirituality, canon law, patristics, cultural studies, ecumenism, hagiography, history, liturgy, scripture, and theology. A list of pertinent periodicals, yearbook, annuals, and newspapers is also included...
With its resurgence in Eastern Europe and its continuing growth in the West, Eastern Orthodoxy will certainly be the focus of increasing attention in scholarly circles. The Historical Dictionary of the Orthodox Church, therefore, is a timely publication, and, by virtue of its superb quality, a contribution of enormous importance. ---Theodore Pulcini, Dickinson College, Carlisle, PA 17013

3 of 3 people found the following review helpful.
Overpriced; has some excellent info, but needs revision!
By James M. Boubonis
There's a lot of very good information in this dictionary, which is one of the most complete sources of its type I've seen -- I believe that only the one compiled by Peter Day is better.

But this book is terribly overpriced. Really - $100 for this?

The comments in a couple of the other reviews on this page referring to objectivity, different Orthodox churches and jurisdictions, etc. are representative of what's fundamentally wrong with this volume. It was prepared by people who evidently have an axe to grind regarding church politics, and it's very unfair to those who seek objective descriptions of some Orthodox church groups who obviously didn't enjoy the approval of those preparing this volume.

In short, like the Blackwell Dictionary of Eastern Christianity, the authors have allowed their uninformed personal opinions to muddle the truth on some points. Especially in this era when churches of the Russian tradition are actually growing back together and reunifying, the message offered in some unfortunate passsages in this book is sadly outdated.

A revised edition, sans ecclesiastical mudslinging, would make this a superior resource.

5 of 17 people found the following review helpful.
Thanks for the reviews!
By A Customer
The review below, with its reference to "pre-Chalcedonian traditions" (by which it means non-Chalcedonian, or Monophysite, heretics) and "objectivity" (by which it means ecclesiological relativism or nihilism) is a service to potential readers. Thanks for saving me the price of this volume!

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Within the relatively recent development of a tradition of African American playwriting, the Theodore Ward Prize has, over its twenty-year history, offered a rich reflection of the accomplishments of emerging and established black playwrights and their growing importance in shaping contemporary theater. This volume showcases three winners of the Theodore Ward Prize - plays that, in their quality and subject matter, aptly represent what is being written and produced by African American playwrights and theaters today. Carefully selected by a director and educator who has been affiliated with the contest for eighteen of its twenty years, these three works have themes that range from the sordid shenanigans of a Depression-era South Side Burial Society (Leslie Lee's Sundown Names and Night-Gone Things) to a single mother's heartbreaking battle to save her children's souls ...

  • Sales Rank: #2431593 in Books
  • Brand: Brand: Northwestern University Press
  • Published on: 2007-07-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x .60" w x 6.25" l, 1.06 pounds
  • Binding: Paperback
  • 226 pages
Features
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About the Author
Chuck Smith is a resident director at Chicago's Goodman Theatre, where his productions have included "The Gift Horse, "The Amen Corner, "A Raisin in the Sun, "Blues for an Alabama Sky, "Ma Rainey's Black "Bottom, "Black Star Line, "A Christmas Carol, and "The Meeting. Smith is also a faculty member in the Theater Department of Columbia College, Chicago.


King is a founder and Producing Director of the New Federal Theatre in New York City. He has produced and directed Off-Broadway, On Broadway, in regional theatres, in film, and at universities across the United States. He resides in New York.

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0 of 0 people found the following review helpful.
Good! Good! Good!
By F. Norman Belk
Good for any collection of current theater

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  • Sales Rank: #16061274 in Books
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  • Sales Rank: #14592946 in Books
  • Brand: Brand: Gale Research Inc.
  • Published on: 1993
  • Binding: Paperback
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American Wholesalers and Distributors Directory (American Wholesalers & Distributors Directory), by Deborah M. Burek, Karin E. Koek

  • Sales Rank: #15156759 in Books
  • Published on: 1991-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.15" h x 6.08" w x 8.72" l, 1.25 pounds
  • Binding: Hardcover

From Library Journal
This valuable new addition to the directory literature profiles 18,000 U.S. wholesalers and distributors. Straightforward and easy to use, the volume features an alphabetical listing of wholesalers and distributors, a geographical listing, and an alphabetical listing of Standard Industrial Classification (SIC) codes and a list of of rankings within SICs by annual estimated sales. Full contact information is given. For example, under "W.S. Lee & Sons, Inc.," an address and phone is listed along with its primary industry: "Groceries=General line." This directory is essential for people working in the field; nothing else this comprehensive exists. Recommended for specialized business collections.
- Peggy Smith, Pennsylvania State Univ., University Park
Copyright 1992 Reed Business Information, Inc.

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Senin, 05 Mei 2014

~~ Ebook Free Eulogy for a Private Man, by Fred Dings

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Eulogy for a Private Man, by Fred Dings

In poems both intimate and public, meditative and musical, Dings seeks to enrich the present by evoking both the future and the past. Urgent and carefully formed, these poems seek an awareness and expression that are responsible -- intellectually and emotionally -- to the most private and most communal moments of human experience. In its exploration of the emotional and spiritual dichotomy struggling within us all, Eulogy for a Private Man is essentially and profoundly human in theme.

  • Sales Rank: #8779378 in Books
  • Brand: Brand: Triquarterly
  • Published on: 1999-09-25
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 6.00" w x .50" l, .0 pounds
  • Binding: Hardcover
  • 56 pages
Features
  • Used Book in Good Condition

From Kirkus Reviews
Theres a certain uniformity of expression that borders on monotony in this second volume by the Wichita State University professora collection that explores silence and solitude in language that is somber and without much rhythm. Dingss austere and attenuated metaphysics, with its relentless abstraction, allows for few things, or people, or places, but his poems are nevertheless accessible and proceed often by contraries: presence vs. absence, perception vs. reality, memory vs. forgetting. In these colorless lyrics, Dings searches among the ruins of the past for rare moments of kindness or a moment / fully lived, and in his fine poem The Rehearsal, he nicely restates the oft-held wish that this life were a warm-up for another chance. Dingss serious verse seems prayer-like: He finds joy in church music; he regrets all those things left undone in The Unlived, and he warns against those sublime impediments of the flesh in the puritanical Bodily Beautiful. In numerous pieces, including the title homage to another man of silence and intimate alienation, Dings seeks a common gravity that the family in The Family Gatherings discovers in their shared past and the prospect of death. Even his lighter poemsset off with the title Scherzopursue the same themes, especially when he humorously identifies himself with Prufrock. Eventually, Dingss tendency to animate abstract ideas weighs down the volume (the weeds of misanthropy, the wings of despair, the body of the ordinary, the skin of your perception). The final poem, which reconsiders Hart Cranes suicide as an immersion (not a failure), allows Dingss own morbidity to triumph in an otherwise decent volume. -- Copyright ©1999, Kirkus Associates, LP. All rights reserved.

Review
At The Grand Canyon
The Bodily Beautiful
The Carousel
Chains Of Change
Claims Of The Past
Dido
Dissertation On Dogs
Eulogy For A Private Man
Expeditions Of A Misanthrope
The Family Gatherings
The Fire
The Force Of Intent
The Gift
The Glowing Coal
In The Absence Of Rain
In The Humid Zone
In The Season Of Memory
The Last Voyage
Letter To A Friend
Letter To Genetically Engineered Superhumans
The Man And The Cemetery Effigy
Migratory Flight
The Past
Planes
Prufrock Meets A Colleague
The Rehearsal
Revelations
Sunday Evening
To My Tongue
Transitory Music
Two Sketches Of Solitude; A Young Man By The Sea
Two Sketches Of Solitude; An Old Man By The Sea
The Unlived
The Woman With Gravitas
Words
Words For A Perfect Evening
-- Table of Poems from Poem Finder®

Not every poem here is as fluid as one might wish, but Dings achieves a great deal in terms of defining the human condition. -- The New York Times Book Review, Melanie Rehak

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5 of 5 people found the following review helpful.
Review of Eulogy For a Private Man
By A Customer
As a reader of contemporary poetry, one hesitates to call a new work "great"-- and rightfully so. The fadish trends of styles and schools come and go, and it is easy to be swept up by a new work, an new voice, at the moment, and to help upon it premature and unearned laurels. Only time, perhaps, can truly measure a work's gravity and power. Yet, there appears, from time to time, certain works by new up -and -coming poets that immediately and recongizably assert themselves as "the real thing"--additions to the body of American poetry that, because of their obvious artistry, will surely last. One thinks of the classic early "breakthrough" books that in their originality of voice and expert craftsmanship marked the entrance of a new and exciting poetic presence on the scene. Such a new book is Fred Dings' Eulogy For A Private Man. The thirty-five poems in this collection display a fusion of the highest intellect with an impeccable ear and attention to detail. Almost seamless in their subtle craftsmanship, the poems reveal a willingness to plumb the depths of traditional form in order to get to a liberating "deeper place"--without heavy-handedness. In both highly controlled free verse and more traditional poems, Dings is at ease with his own voice and modes of expression. This voice is varied, but most often elegaic, philosophical, and earthy. Such a unique combination in the hands of a poet of Dings' caliber, renders poems at once beautiful, intellectually penetrating, and darkly inspiring. Powerful images populate these pages--images that are multi-layered in their possible philosophical implications: A newborn's "two lungs billow like sails"; In a graveyard, we are shown "moonlit stones in rows like teeth"; In one poem we are tempted to consider how "miracles grow from misery/ like roses growing from a bed of coals"; and "When our bodies are torn open like envelopes,/what news will our ancestors be able to read in us?" Throughout Eulogy For A Private Man, the reader becomes progressively aware of a third-person "he" that clearly represents the "private man" persona. In many poems, this persona is places within a variety of existential predicaments--as any human being would be:love, the admiration and examination of the natural world, the search for ultimate meaning in daily suffering and joy, and death. Identificiable and specific, yet universal and "abstract" in the best sense of the word, this "he" comments on the head-on existential collisions and exhilarations that all human experience. Dings describes this "he" for us: "The years of failure had wounded his hope beyond/recovery. The erotic postures of possible futures/no longer duped him..." ("The Man and The Cemetery Effigy"). This "he" strikes the reader as a vulnerable soul who has grappled with lifes' gale--storms, yet has come to the difficult knowledge that, "Each day must be wresled for beauty." This persona, which could truly be any of us--thus its power and relevance--is isolated and spiritually x-rayed on the slab of the page for us to see into "his" mystery, and to see into our own. In the book's title poem, we see the private man after his supposed death, in eulogistic fashion: "He annoyed us and intrigued us, a hieroglyph/ of cliff-faced solitude we tried to decipher." Moreover, irresistible mental constructs are consistently presented in the poems that reverberate in the reader's mind, inviting further pondering:
If only he could memorize like a lover the body of the ordinary,which was already a dream much larger than all sleep. ("The Unlived")
And:
If only we could be like the stars when they die their final explosions of light like death-blossoms seeding new matter in the fertile night. ("In the Season of Memory")
There are so many individual lines of power and grace in this book, in fact, that one is tempted to cite them all--if only space would allow. Indeed, this may be the true mark of great poetry: that each line can stand on its own, carry its weight, and exist as a self-contained unit of expression. Eulogy For A Private Man has echoes of Rilke, Strand, Stevens, and even James Wright; yet Dings has a voice that extends beyond simple comparison and tracing of influences. This reviewer is very willing to stick his neck out and state that, here, undeniably, is a great book of poetry. In one poem, the private man persona learns that he must "find his dignity in obscurity." With poems like these, obscurity is something Fred Dings will not have to worry about in the future.

1 of 1 people found the following review helpful.
The power of opposites
By E. H. Wiley
Fred Dings' work always reminds me of Wordsworth's line that "poetry is the spontaneous overflow of powerful feelings: it takes its origin from emotion recollected in tranquility." Dings is a rare poet in that he skillfully utilizes very classical forms to convey very modern themes. The result is stunning. As Coleridge would say, his poetry expresses "more than the usual emotion" in a format of "more than the usual order." I, too, would like to see a little more play with metre in his work, because the intentional variations would be very powerful -- and there is no doubt he has the skill. But why force an outside opinion on a very original and unique voice? Dings' form and metre is integral to his compelling voice as a writer. He is complex and deep while also being accessible. His work expresses with exquisite elegance the decidedly inelegant parts of our deepest selves. His work is downright heartbreaking at times and you may not even see it coming. More than the usual emotion set into more than the usual order. One of a kind.

6 of 6 people found the following review helpful.
Consummate Artistry, Transcendent Concerns
By Roger Lathbury
Fred Dings is one of the most accomplished poets to emerge in the 1990's. In this second collection, Dings's steady eye and perfectly tuned ear evoke a universe where "Each swirl and eddy of the world, each smell, / flavor, hue, touch, and tone . . . / burn inside the flame of attention." This accessible volume enriches the attentive mind with enlarged possibilities of understanding. Poem after poem displays a sure sense of form (Dings is especially effective with variations on terza rima) and imagery reaching the highest levels of understanding and sometimes beyond, yet all is grounded in sensual experience. Consciously lovely, with a painterly sense of suggestion and color and a verbal music as fine as the idea of music itself, *Eulogy for a Private Man* is a very moving book--a cause for celebration for every serious reader.
Roger Lathbury

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Kamis, 01 Mei 2014

~~ Free PDF Phenomenology and the Problem of History: A Study of Husserl's Transcendental Philosophy (Studies in Phenomenology and Existential Philosop

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Phenomenology and the Problem of History: A Study of Husserl's Transcendental Philosophy (Studies in Phenomenology and Existential Philosop

David Carr examines the paradox of Husserl's transcendental philosophy and his later historicist theory.

  • Sales Rank: #2587867 in Books
  • Published on: 2009-02-24
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.10" w x 6.00" l, 1.10 pounds
  • Binding: Paperback
  • 312 pages

About the Author
When David Carr came to campus in the fall of 2013, he sat with a group of journalism students and, in about ten minutes, explained what has happened to legacy media, where new media is now, and where it may be in the future. He was funny, blunt, irreverent, and smart. That's what makes him the most influential writer on the media in the world. Today, the veteran reporter writes the Media Equation column for the "New York Times", and also reports on popular culture. His book, "The Night of the Gun", is a memoir of addiction and recovery. He is an old school reporter who knows he's onto a big story and isn't letting go.

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Phenomenology and the Problem of History: A Study of Husserl's Transcendental Philosophy (Studies in Phenomenology and Existential Philosop PDF
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