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The Arabian Nights: A Play, by Mary Zimmerman
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A twelve-member cast enacts Scheherazade's tales of love, lust, comedy, and dreams. Scheherazade's cliffhanger stories prevent her husband, the cruel ruler Shahryar, from murdering her, and after 1,001 nights, Shahryar is cured of his madness, and Scheherazade returns to her family. This adaptation offers a wonderful blend of the lesser-known tales from Arabian Nights with the recurring theme of how the magic of storytelling holds the power to change people. The final scene brings the audience back to a modern day Baghdad with the wail of air raid sirens threatening the rich culture and history that are embodied by these tales.
- Sales Rank: #682533 in Books
- Published on: 2003-11-01
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .50" w x 6.00" l, .73 pounds
- Binding: Paperback
- 176 pages
- the Play of Arabian Nights
Review
"If you want theatre at its most unpretentiously poetic, most fetchingly stylish, as humane as it is elegant, I commend to you The Arabian Nights." --New York Magazine
"There's a saying that nobody can read the entire Arabian Nights without dying of pleasure. In Zimmernan's production, that seems a possibility." --USA Today
"[A] feast for the eyes and ears." --Chicago Magazine
About the Author
Mary Zimmerman is a professor of performance studies at Northwestern University. In 1998, she was the recipient of a MacArthur Fellowship, and in 2002, she won the Tony Award for Best Director. She has adapted-directed Metamorphoses, The Notebooks of Leonardo da Vinci, The Odyssey, The Arabian Nights, Eleven Rooms of Proust, and Journey to the West. Mostly recently she directed and wrote the libretto for Galileo Galilee, the new opera by Philip Glass, which premiered at the Goodman Theatre.
Most helpful customer reviews
30 of 30 people found the following review helpful.
An excellent piece for educational theatre
By Mark Webber
I am a theatre teacher and have read several (read around 100) plays looking for a play that 1)has several significant female roles, 2) has literary merit, 3)has a story with some heart 4)has humor and 5)will stretch my actors in ways they have not worked before. Mary Zimmerman's THE ARABIAN NIGHTS has all that and more. It really is a fantastic piece built around the tale of The Arabian Nights but using stories that are not overtold. Every time I read this script I discover more and more to it. Although it has some clever notes from the original production of this play, there is PLENTY of room for new creation including an improvisational idea for a portion of the script and an allusion to modern day Iraq at the end of the play. I hope we are able to secure the rights to do this show because I am looking forward to directing this play with my students. Even if you don't produce the play, it is well worth reading.
3 of 5 people found the following review helpful.
The Arabian Nights by Mary Zimmerman
By Kindle Customer
Mary Zimmerman is the writer and director of the stage play The Arabian Nights: A Play. Her creative technique is to deeply research a subject, often ancient writings or even drawings, and then to work collaboratively with her cast and designers to find the best ways to dramatize the material, creating a scrip as she moves along.
She was awarded a genius grant and well deserves it.
The resultant play, in this case, is poetic, beautiful, surprising and altogether wonderful.
0 of 0 people found the following review helpful.
A Jewel For Senses, If Only It Could Last 1000 Nights
By Teja McDaniel
The Arabian Nights by Mary Zimmer was one of those life's moments, that truly amazed me and opened my perception of live performance. Performed by the Manhatten Theatre Company in Mud-Town New York, the evening was a tapestry of sight and a delicacy of sound, for the author'a words were scintillating. This should be a modern classic, a precursor to her wonderous Metamorphoses, which I also had the opportunity to see in New York.
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